This review originally appeared at Grimdark Magazine on September 18, 2025.

The Buffalo Hunter Hunter

By Stephen Graham Jones – S&S/Saga Press – March 18, 2025

Review by Robin Marx

As The Buffalo Hunter Hunter begins, Etsy Beaucarne is struggling with an undistinguished academic career. A surprising opportunity falls in her lap, however, after a distant relative’s crumbling journal is discovered hidden in the walls of a decrepit parsonage. Penned in 1912 by her great-great-grandfather Arthur, a Lutheran pastor posted in Montana, Etsy hopes to use the manuscript as the springboard for a new research project, ideally leading to publications and tenure. But as transcriptions of the brittle and faded pages are delivered, she discovers a much darker and more troubling narrative than expected.

The premise established, Etsy’s story fades into the background. The Beaucarne Manuscript makes up the bulk of The Buffalo Hunter Hunter. Arthur Beaucarne’s religious ministrations to the small town of Miles City are disrupted when an ominous stranger begins attending his sermons. Invariably seated in the rearmost pew, the visitor is a Native American man dressed incongruously in a black Jesuit robe, battered cavalry boots, and dark glasses. Disturbed by the man’s intense scrutiny, Arthur nevertheless finds himself fascinated by the visitor. Eventually the Indian approaches Arthur after a Sunday service, introducing himself as Good Stab of the Pikuni (Piegan Blackfeet tribe), and says that he has come to the church to confess his sins. Over a series of weekly visits—the chapel dimmed so as not to aggravate his unusual sensitivity to light—Good Stab unburdens his soul, and Arthur dutifully recounts the man’s anecdotes in his journal.

During his first visit, Good Stab describes encountering the scene of a bizarre massacre, with dead white men surrounding a wagon containing a caged and hissing chalk-white man with fangs. After a series of catastrophes, the so-called “Cat Man” escapes from his prison and Good Stab undergoes a traumatic metamorphosis.

Between Good Stab’s visits, mutilated and exsanguinated human bodies begin appearing outside Miles City, partially skinned in apparent imitation of the wasteful fashion of white hunters of buffalo. Arthur quickly draws a connection between the corpses and his unusual guest and begins to investigate. Over time he begins to suspect an ulterior motive underlying Good Stab’s visits.

As it makes clear surprisingly early on, this book is a vampire novel. The Buffalo Hunter Hunter shares some superficial elements with Anne Rice’s 1976 Interview with the Vampire, and fans of the latter are likely to enjoy Stephen Graham Jones’ novel. But it’s also simultaneously a compelling revenge tale that deals unflinchingly with the Native Americans’ genocide at the hands of white colonizers. Rage, guilt, and regret feature prominently, and Good Stab’s anguish is powerfully rendered. Jones is himself of Blackfeet heritage, and it felt like the historical setting gave the author license to write about his ancestors’ plight in a more unfiltered and immediate way than his works set in the modern day.

Literary weightiness aside, The Buffalo Hunter Hunter is a particularly original vampire story. The Old West setting is fresh, as is the fact that—in Jones’ world—vampires literally are what they eat. Vampires begin to take on characteristics of the creatures they habitually consume. Too much deer blood and stubby antlers begin to sprout, for example. The same principle extends to human prey; when Good Stab subsists on white victims, he grows to resemble them, gaining a pale skin tone and scraggly beard. If he is to maintain his original form, he’s forced to devour his own people. It could be argued that this is a metaphor for cultural assimilation: associate too much with the white man and Good Stab begins to become one, but isolating himself among his fellow Pikuni is likewise harmful and unsustainable in the long term.

Beyond this novel depiction of vampirism, the book also boasts an abundance of chilling moments. With unlimited time at their disposal, The Buffalo Hunter Hunter repeatedly demonstrates that a sufficiently patient and motivated vampire can concoct tortures of breathtaking malice. Fates literally worse than death.

The Buffalo Hunter Hunter benefits from the strong and distinct voices of its two primary narrators, Good Stab and Arthur Beaucarne. Both are unreliable narrators in their own way. Good Stab is fond of using colorfully literal translations of his people’s words for animals (big mouth, blackhorn, real-bear, prairie-runner, etc.), but he occasionally slips and betrays a more fluent command of American English than the disarming Indian stereotype he playacts as. Arthur, on the other hand, reveals a tendency to dance around sensitive topics, to avoid examining or grappling with the uncomfortable until it’s too late.

Unfortunately, the robust characterization on display with Good Stab and Arthur ends up making the novel’s primary flaw more visible. When the Beaucarne Manuscript concludes, the narrative returns to the present day, with Etsy left to deal with her great-great-grandfather’s disturbing legacy. But because readers have spent so little time with Etsy, she feels much less satisfying as a viewpoint character. Good Stab and Arthur’s words are given heft by a lightly archaic style and the weight of history, while Etsy is just a modern gal with modern job frustrations and a cute cat. Relatable, but underequipped for the task of carrying such a heavy story’s ending. Perhaps this issue could have been ameliorated by having Etsy resurface periodically during the middle portion of the book to share her reactions and own investigative footwork, rather than showing up for a few brief pages in the beginning and then reappearing only to shoulder the last tenth of the book. The violence depicted in the finale also felt tonally different than what readers had been presented with previously. Less gritty, more gonzo.

Despite the comparatively weak finish, The Buffalo Hunter Hunter remains the most original and exciting vampire novel in years. Stephen Graham Jones has released many strong books in a short span of time, but this one is particularly passionate and multidimensional. While I suspect Jones’ best work is still ahead of him, The Buffalo Hunter Hunter stands out even among an already robust catalog of work.

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