This review is a Writing Repository original.

The Autumn Springs Retirement Home Massacre

By Philip Fracassi – Tor Nightfire – September 30, 2025

Review by Robin Marx

Horror fiction has been undergoing a resurgence in recent years, and with outstanding releases like Gothic and Boys in the Valley Philip Fracassi quickly established himself as an author worth watching. Released by Tor’s Nightfire imprint, The Autumn Springs Retirement Home Massacre feels somewhat different from past Fracassi books, but more of an expansion of his repertoire than a permanent change in direction. It experiments with genres in a way that is interesting, but perhaps not entirely successful.

Nearly eighty years old, retired high school teacher Rose DuBois lives a quiet life at the titular Autumn Springs Retirement Home in upstate New York. She’s comfortable in her routine and surrounded by friends, most notable among them the affable former professor Beauregard Mason Miller, with whom she enjoys a warm companionship that—to Miller’s obvious chagrin—hasn’t quite blossomed into a Golden Years romance. A shadow falls over Autumn Springs, however, when Rose’s friend Angela dies of an apparent bathroom fall. Given their advanced age, the Autumn Spring residents largely take the death in stride, but the retirement home administrator’s horrified reaction to Angela’s body and the extent of the injuries seen on the corpse make Rose wonder if foul play was involved. In the days to follow, more of Rose’s friends and acquaintances fall victim to similar mishaps and maladies. Rose’s suspicions mount, and with Miller by her side she begins to investigate the deaths that the larger retirement community mostly shrugs off. Her stubborn persistence, however, marks her as a future target for a shadowy murderer.

The Autumn Springs Retirement Home Massacre benefits from its brisk pacing. While the story itself is a bit of a slow burn—for most of the book the retirees are blissfully unaware that a killer lurks in their midst—individual chapters are brief and proceed at a rapid clip, frequently hinting at the murder to come, depicting its actual execution, or the discovery of the aftermath. While the proper amount of attention is spent on nice character-establishing moments, there isn’t a lot of extraneous fat; this is a lean, fast-moving book.

The appealing characters are another highlight of the book. Readers spend the most time with Rose and Miller, and both are well-rendered, realistic-feeling characters. I’ve met people very similar to them, and I imagine many other readers have as well. But we also get to spend some time in other characters’ shoes, frequently in their final desperate moments, and Fracassi doesn’t skimp on the supporting cast’s characterization. I noted it in my review of Boys in the Valley, but Fracassi’s uncommon ability to breathe life into a large cast of supporting characters through economical and empathetic characterization is again showcased in The Autumn Springs Retirement Home Massacre. The elderly residents’ vulnerability and isolation are especially poignantly rendered in one brief chapter late in the book, after it has been unequivocally established that a killer is stalking the halls of the retirement home. Desperate to flee, various residents phone family members and former spouses begging for sanctuary until the danger has passed, only to have their pleas fall on deaf ears. Their relatives are all busy with their own lives and don’t welcome the intrusion from the old folks; better they go back to being out of sight and out of mind, warehoused at faraway Autumn Springs.

While promoted as a “slasher” novel, that aspect doesn’t arrive until quite late in the narrative. Most of the murders are orchestrated to appear as accidents or deaths from existing health issues, the knives only come out towards the end. Indeed, the “Massacre” in the title almost feels like a misnomer, suggesting more of a kinetic bloodbath than the methodical and gradually escalating series of serial killings we are presented with. While there are some gory passages, horror elements in general are fairly muted. Subtle supernatural elements do appear in the book, but they’re plausibly deniable and so lowkey that part of me wonders if Fracassi would have been better off omitting them entirely and aiming more squarely at the thriller genre. Had Fracassi pursued that direction, he could have further augmented the mystery elements of this book. There are a handful of attempts to misdirect the reader regarding the masked killer’s identity, but they’re quickly discarded; Fracassi doesn’t really commit to the red herrings in a way that made me as a reader entertain them to as realistic possibilities. And while we eventually learn the murderer’s identity, even despite a handful of first-person perspective scenes we do not receive much insight into their motives for the killings beyond opportunism and contempt for the infirm.

Straddling the mystery and horror genres, The Autumn Springs Retirement Home Massacre feels slightly less self-assured than Fracassi’s Gothic or Boys in the Valley. I get the sense that Fracassi is trying something new here, going out on a limb. Indeed, in the Afterword Fracassi remarks that the final novel did shift and grow beyond his original concept, changing through his development of Rose as a character and the experience of losing his parents. If you’re already acquainted with Philip Fracassi’s work, The Autumn Springs Retirement Home Massacre is well worth checking out. Fracassi’s strengths—empathetic characterization and effective pacing—are present and accounted for. Horror enthusiasts unfamiliar with Fracassi are better directed to something like Boys in the Valley first, however, as the “slasher” marketing overstates the amount of gore and brutality present in the actual novel. “Final Girl” labeling aside, Rose owes more to Jessica Fletcher than Laurie Strode. Even if the mystery elements aren’t as developed as they could have been, The Autumn Springs Retirement Home Massacre is an easy recommendation for thriller fans. I enjoyed the time I spent with Rose DuBois and Beauregard Mason Miller and I’m pleased to see Fracassi resist complacency and push himself in new directions.

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