This review originally appeared on Goodreads on September 15, 2022.

Rakehell: Issue 1

Edited by Nathaniel Webb – Young Needles Press – July 1, 2022

Review by Robin Marx

This is the first issue of what is promoted as “a modern magazine of swashbuckling adventure,” mentioning Robin Hood, the Three Musketeers, and Indiana Jones as touchstones.

The issue starts off strong, with “The Mortuary Sword” by H. R. Laurence. Featuring the heroine from the magazine's appealing cover artwork, it involves a highwayman who encounters a supernatural threat on the road. The tone of the story is pitch-perfect, and the low-key fantastic aspects add spice without overshadowing the swashbuckling swordplay.

“The Trans-Pacific Railway” by Mar Vincent follows. This is a vaguely steampunkish story with stuffy European aristocrats and academic types. The titular railway is set upon by kite-like jetpack-wearing Frenchmen, and the protagonists attempt to harness the occult to fend them off. I may have enjoyed this story more had I encountered it in a different context, but steampunk leaves me cold. The story also seemed to go out of its way to avoid thrilling sword combat and action in general. It felt out of place, given the magazine's mission statement.

“A Fool's Errand in Amberford” by Lawrence Harding involves a mercenary swordswoman escorting a reckless-seeming noncombatant client deep into a ghoul-infested city. There's a fair bit more action than the preceding piece, and I enjoyed the somewhat normalized portrayal of necromancy (the heroine ingeniously keeps paper packets of beetles in her pockets to squish, channeling their life force into magical effects) but it seemed like a straight-up fantasy story. None of the heroine's opponents are armed, making swashbuckling swordplay a non-starter.

Just as I'd begun to wonder if I'd picked up a general fantasy zine by mistake, it's “The Daisy” by T. K. Howell to the rescue! This historical adventure features Francis Drake as a teenaged deckhand trying to survive a mutiny sparked by a hidden cache of silver. This story has tense action, witty repartee, and was completely free of fantastical elements. It was exactly the kind of story I'd expected to find within the pages of the magazine.

“When Your Only Tool’s a Hammer” by J. B. Toner is a fun sword & sorcery story, in which a barbarian Cundar of Raelor goes to extreme—and otherworldly—lengths to halt a devastating war. I love sword & sorcery fiction a lot and found this to be an engaging addition to the subgenre. It wasn't much of a swashbuckler, though, and it may have felt more at home in a different venue.

The final story, “The Temple of the Ghost Tiger” by Dariel R. A. Quiogue, was the absolute highlight for me. Fantasy elements are present (the viewpoint character is a man transmogrified into a monkey through occult experimentation, for example) but restrained, with center stage yielded to hand-to-hand combat against pirates, a duel between well-matched opponents, and a desperate struggle against the titular Ghost Tiger. It's a fast-paced cinematic adventure in the tradition of The Golden Voyage of Sinbad, and the primary characters are all appealingly rendered despite their relatively brief “screen time.”

While I enjoyed nearly all of the stories in this magazine, I was leaning towards a three star rating until “The Temple of the Ghost Tiger” blew the doors off at the very end, earning an extra star by itself. My main issue with the magazine was my expectations compared to what was delivered. To me, swashbuckling adventure suggests a Renaissance setting or thereabouts, rapiers and flintlocks, snappy dialogue, and acrobatics. I love general fantasy fiction, but that wasn't what I bought this magazine hoping to read. Perhaps my definition of swashbuckling adventure is too narrow, but it may also be that—being a new publication—the editor lacked an abundance of traditional swashbuckling tales to select from. Compared to general fantasy, swashbuckling adventure fiction is a bit thin on the ground. Hopefully, with future issues, Rakehell will be able to distinguish itself from competing magazines by developing a tighter focus.

★★★★☆

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This review originally appeared on Goodreads on June 19, 2021.

The Eye of Sounnu

By Schuyler Hernstrom – DMR Books – May 2, 2020

Review by Robin Marx

The stories in this collection hearken back to the golden age of pulp sword & sorcery and science fantasy. Images and themes occasionally remind the reader of Robert E. Howard, Fritz Leiber, Jack Vance, and even maybe a bit of Gene Wolfe but happily the author avoids well-trodden ground. These stories share the spirit of the classics without aping them outright.

Particular stand-outs include “The First American,” in which a barbarian tribesman enlists the scientific aid of a stranded US astronaut to rescue a captured woman from reptilian adversaries, and “Mortu and Kyrus in the White City,” about a motorcycle-riding warrior and his monastic monkey companion encountering an idyllic metropolis hiding a dark secret.

I look forward to reading more by Hernstrom and DMR Books!

★★★★☆

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This review originally appeared on Goodreads on May 8, 2011.

Midnight Sun: The Complete Stories of Kane

By Karl Edward Wagner – Night Shade Books – September 15, 2003

Review by Robin Marx

This volume is packed with excellent sword & sorcery yarns in the tradition of Robert E. Howard and Michael Moorcock. The Kane short stories are even better than the novels (collected in another Night Shade Books companion volume).

I appreciated the inclusion of the modern-day horror Kane stories. They're quite different from the “barbarian fantasy” tales, and the transition from those to the Clive Barker-style stories was a bit abrupt, but Kane's presence just somehow works. Karl Edward Wagner's essay regarding the creation of Kane was also very enlightening. It's absolutely tragic that he didn't live to write dozens more stories.

★★★★☆

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This review originally appeared on Goodreads on September 13, 2021.

The Time of Contempt

By Andrzej Sapkowski, David French (Translator) – Orbit – August 27, 2013

Review by Robin Marx

Second in the main series, the titular Time of Contempt refers to the war sweeping the Continent and the ensuing treachery and cruelty. The Nilfgaardian Empire continues to grind northward, and the divided kingdoms in its path both cooperate with and defect upon one another, each seeking some marginal advantage. Geralt, the Witcher, attempts to remain neutral in the conflict, but finds himself inexorably drawn in as he attempts to protect his young magically talented charge Ciri from those who wish to possess her.

This volume introduces a great deal of turmoil to the nations and organizations seen in previous books, upending the tenuous status quo. Ciri takes center stage for most of the narrative, with Geralt and sorceress Yennefer in prominent supporting roles. The events of the story are epic in scale, but I appreciated that—rather than through dry exposition—the author tended to relate events filtered through the eyes of messengers, spies, and mercenaries. This kept the human, ground-level perspective intact throughout.

Geralt gets comparatively little exposure in the narrative and he doesn’t do any monster-slaying, which may disappoint some readers. I enjoyed the tumultuous plot and Ciri’s school of hard knocks-style introduction to the wider world, however. This book left me excited for the next volume.

★★★★☆

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This review originally appeared on Goodreads on May 28, 2019.

The Urth of the New Sun

By Gene Wolfe – Orb Books – November 15, 1997

Review by Robin Marx

In this follow-up to The Book of the New Sun, Severian, the Autarch of the Commonwealth of Urth, journeys deep into space. His goal is to acquire the New Sun, a star/energy source/person (or perhaps all of these), which is capable of replacing his planet's dying sun. While his success will ensure the survival of his planet, it carries with it a terrible price.

Much like the preceding four volumes that comprise The Book of the New Sun, I enjoyed this book but I do not feel like I entirely comprehended it. The imagery throughout the book is fanciful and layered. The narrative also has a mythic cast that reminded me a bit of Frank Herbert's Dune Messiah. Wolfe was apparently a devout Catholic and allusions are hidden in the text, but the alienness of the characters and events makes the story feel closer to esoteric Eastern mysticism than familiar Christian biblical scripture.

Adding more layers to the puzzle is the fact that Severian has absorbed the memories (and perhaps identities) of previous Autarchs, his interstellar journey appears to involve time dilation, and even after returning to Urth he encounters and reunites with various characters at different non-chronological points in their lives.

Not only is the story dense and cryptic, it is related by a narrator who is both unreliable and somewhat aloof from events. The reader is often told that he wept or contemplated suicide after some bleak or unexpected turn of events, but everything is related with a baffling degree of clinical dispassion. Severian is basically a messiah figure, but one that is not to be entirely trusted.

Whether or not a reader will enjoy this book depends a great deal on their tolerance for confusion. If vaguery and cryptic dialogue aren't turn-offs, there's a lot to enjoy here. And if you like re-reading and puzzle-solving, this series rewards it. But be certain to read this book soon after The Book of the New Sun, when it's fresh in your mind.

★★★☆☆

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This review originally appeared on Goodreads on March 17, 2013.

Elric at the End of Time

By Michael Moorcock – DAW – May 7, 1985

Review by Robin Marx

I enjoy Moorcock and his Elric stories a great deal, but despite the “Seventh Book of Elric of Melnibone” billing on the cover this particular collection is pretty random and weak. It includes the title story, “The Last Enchantment,” a pair of Elric-related essays, a pair of Jerry Cornelius essays, the Sojan the Swordsman stories, and a short short called “The Stone Thing.”

Elric at the End of Time is a crossover between Elric and Moorcock's Second Aether stories. The pseudo-Victorian Second Aether stuff has never done anything for me, and the team-up here struck me as kind of clumsy. Not an essential work.

“The Last Enchantment” is much better, however, one of the better late Elric stories. Unlike some of the more out-there and psychedelic tales, it fits in well with the earlier Elric canon. Elric's dealings with the Gods of Chaos are intriguing, and the premise is original.

The essays were brief and not particularly essential. It also seemed odd having two essays devoted to the Jerry Cornelius character when no Cornelius stories appear in the book.

The Sojan the Swordsman stories were the highlight of the book for me. They represent Moorcock's earliest published writing and were featured in a Tarzan fanzine. The stories themselves are pretty generic sword & planet. Moorcock was probably influenced by Burroughs' Barsoom stories, but they read more like Lin Carter's Thongar the Barbarian tales. They're pretty poor, to be honest. The plotting is pretty simplistic, the dialogue laughable, and with no major setbacks Sojan's adventures tend to be tension-free cakewalks. Still, the goofy enthusiasm in the writing was fun, and it was also fascinating from a historical perspective seeing these stories. If one of the greatest living fantasists started out writing stories this silly, maybe I've got a chance, too.

“The Stone Thing” is an extremely brief joke story. It's funny, but kind of a weird note to end a book on.

This book seems like a bit of a cash grab, a way to make some extra money on a mix of lesser work. It's worth a read for hardcore Moorcock fans, but only half the book is Elric-related and all the good stuff has been re-released in Del Rey's collections. Sojan the Swordsman was fun, but not something casual fans would be incredibly interested in. Far from essential Moorcock.

★★☆☆☆

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This review originally appeared on Goodreads on February 9, 2015.

Bridge of Birds

By Barry Hughart – Del Rey – April 12, 1985

Review by Robin Marx

Set in mythic China, Bridge of Birds is a picaresque fable with similarities to The Princess Bride, the Sherlock Holmes stories, and Jack Vance's tales of Cugel the Clever. While it starts off with a rather simple premise—involving a search for a magical medicine for afflicted village children—the book's final chapters reveal that the entire story was no simple MacGuffin fetch quest, but in reality something far more original and carefully constructed.

All of Hughart's characters, including the crafty scholar Master Li Kao and earnest bumpkin Number Ten Ox, are well-drawn and appealing, if generally amoral. The heroes are Magnificent Bastards in a corrupt world. Still they manage to do a tremendous amount of good in between heists, swindles, and the occasional murder. The setting is colorful as well, encompassing both the exotic and decadent heights of the imperial lifestyle and the grubby desperation of the peasant class. The book hand-waves historical accuracy, set in “an Ancient China that never was”, but Hughart still presents a fascinating world that I enjoyed spending time in.

Packed with cliffhangers and abrupt reversals of fortune, Bridge of Birds is (to borrow cheesy movie review-speak) a romp from beginning to end. I found myself grinning at many points during the story, and never wider than during the book's conclusion, which was thoroughly satisfying. All loose ends are tied up neatly, with characters and locales revisited in such a way that it highlights just how far we've traveled with Li Kao and Number Ten Ox. I rarely give out five stars, but this book is definitely worth sharing.

★★★★★

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This review originally appeared on Goodreads on November 12, 2013.

Stealer of Flesh

By William King – Self-Published – March 27, 2012

Review by Robin Marx

The first book in the Kormak Saga, Stealer of Flesh consists of four linked sword & sorcery novellas. While there is currently quite a glut of low-cost self-published fantasy ebooks, I was quite pleasantly surprised by the quality of this work.

The story focuses on the adventures of Kormak—a Guardian equipped with a dwarf-forged sword and monastic martial training—and his efforts to track down and destroy a demonic body-stealing Ghul. While Serious Guy Slays Monsters is well-trodden fantasy ground, I appreciated the execution. Setting details and other exposition aren't presented to the reader in big info dumps, but rather handed out a tidbit at a time. Not much is disclosed about either the Guardians or their Ghul enemies, but what is revealed is interesting. And while at first glance Kormak himself could come across as a grim two-dimensional character, King fleshes him out in a subtle and interesting manner. Despite his heroic drive, there are a number of instances where Kormak questions his own motives and whether or not his quest has a point at all. And despite his apparent monk-like dedication to his cause, it doesn't take too much pushing for him to dally with women he'd be best off avoiding. There's more to both the world and the protagonist than what's revealed at first glance.

I also enjoyed the linked novella format. Compared to other fantasy subgenres, sword & sorcery lends itself extremely well to shorter formats. King doesn't draw things out to fill out page count; he sets up an interesting premise and immediately gets down to business. My only complaint is (view spoiler), but the concluding story was extremely satisfying, even if the ending was a little abrupt.

I'm not as familiar with the current sword & sorcery authors as I am with the classic ones, but King strikes me as a writer to watch. I look forward to reading more Kormak tales.

★★★★☆

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This review originally appeared on Goodreads on March 21, 2021.

Season of Storms

By Andrzej Sapkowski, David French (Translator) – Orbit – May 22, 2018

Review by Robin Marx

Season of Storms was written after the main series of Witcher novels but set before most of Geralt’s adventures. I’m reading these books in terms of their internal chronology rather than the order of publication. While I got the sense that there were some Easter Eggs left for fans who had read the other books, the story stood well enough on its own.

The plot itself was sort of a reverse Picaresque. Geralt is perhaps the most moral and scrupulous figure in the story, and he’s thrown about by the lies and manipulations of the corrupt people and authorities around him. He’s framed for a crime, railroaded through court proceedings, and has his swords—the instruments of his trade—stolen from him. He just wants to be left alone, but the politicians and mages around him see a tool they can use to further their own schemes.

It took me a while to notice, but despite the magic and monsters, Season of Storms doesn’t have a typical fantasy novel plot. It has a noir plot. It’s all there. The protagonist is cynical and tarnished but still abides by a code. There is a femme fatale. The cops (er, “town guard”) are the biggest gang around. The ruling class run roughshod over the commoners without a care for the collateral damage. Loyalties and motives are uncertain, and the plot takes a number of twists and turns.

Season of Storms was a fun and exciting read, and I look forward to continuing the series.

★★★★☆

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This review originally appeared on Goodreads on January 15, 2013.

Brak the Barbarian / Mark of the Demons

By John Jakes – Open Road Media – July 31, 2012

Review by Robin Marx

Brak the Barbarian was part of the late 1960s resurgence in the popularity of sword & sorcery and Robert E. Howard's Conan the Barbarian stories. While the series enjoyed a certain degree of popularity as paperback releases, they've been difficult to find for the past 15-20 years, making this e-book release especially welcome. This volume collects the Brak the Barbarian and Mark of the Demons novels, as well as a pair of bonus Brak short stories. The first Brak the Barbarian book is more of a short story anthology than a novel, however.

While John Jakes has apparently become a very successful Civil War-related historical fiction novelist, his Brak stories have never struck me as being particularly well-loved within the sword & sorcery genre. They were created at a time when hordes of writers were churning out cheap and cheerful barbarian stories to take advantage of Conan's paperback popularity. As a result, my expectations for this book weren't particularly high. In the end I was pleasantly surprised, though.

The premise is fairly simple. Brak is a blonde barbarian from the northern steppes. His goal is to reach the fabled city of Khurdisan in the far south. Why he's headed there isn't made very clear, but it doesn't have to be. Brak is the kind of guy who picks a direction and sets off. In his debut story he falls afoul of Septegundus, a dark wizard in league with the evil god Yob-Haggoth. While he defeats Septegundus, the dying foe swears an oath to plague Brak during his travels.

The stories are a bit formulaic. Brak comes to a new location and either encounters some people in need or falls into trouble himself. While extricating himself from the predicament he usually comes into conflict with evil magic or some manner of monster. There's often a femme fatale. In the beginning stories it's almost comical; Brak meets a number of untrustworthy men, but the women are almost invariably gorgeous and evil to the core. Were I Brak, I probably would've buried my broadsword in the head of every beauty I encountered, rather than be betrayed, tortured, or imprisoned any further. Still, this seemed less like misogyny on the part of the author than overuse of a favorite story trope.

While the stories follow a basic pattern, there's enough variation on the theme that I remained interested throughout. The setting is vaguely outlined and the characters aren't especially deep, but there are occasional flashes of brilliance: a particularly original monster or magic curse. And while Brak himself didn't seem to have much of an internal life (his goals tended to be fairly immediate, and spent much of his time reacting to threats than formulating his own plans), he was more than just a carbon copy of Conan. Unlike many pseudo-Conans I've encountered, Brak was more fallible—combat didn't always go his way—and he was more emotional as well. He's openly terrified by some of the monsters he runs into, and he's driven to sob by some of the more trying or tragic circumstances he endures as well.

While Brak and his adventures aren't quite distinctive enough to earn a place among sword & sorcery's classics, they were a fun read. Perhaps the best way to describe them is “solid.” Not startling or breathtaking, but well-constructed and without major flaws. I'd recommend newcomers to the genre look elsewhere, but if you're already acquainted with sword & sorcery and have already read through the top-tier stories, Brak the Barbarian is a worthwhile, satisfying read.

★★★☆☆

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