This review originally appeared on Goodreads on July 11, 2011.

Solomon Kane Volume 2: Death's Black Riders

By Various – Dark Horse Books – October 19, 2010

Review by Robin Marx

Much like the first, this second volume in Dark Horse's original comic adaptation of Robert E. Howard's Solomon Kane stories was a mixed bag.

The Mario Guevara artwork is strong, and the Mike Mignola cover is eye-catching, but the story side is a little weak. Most of the volume is a much-expanded adaptation of a brief REH story fragment. A comic rendition of “Rattle of Bones” (one of my favorite Solomon Kane stories) is incorporated into the middle of the Death's Black Riders tale, but it felt rushed, making an already concise yarn into a “blink and you'll miss it” affair.

This volume closes with a short called “All the Damned Souls at Sea,” but the ugly caricature-style Guy Davis artwork ruins what could be an otherwise interesting story.

The characterization of Solomon Kane wasn't bad, and his visual portrayal is quite similar to what I envision when reading the original stories, but I would've liked to have seen more of the seething hatred driving Kane in his battle against evil. There are hints of it, which suggests that the writers do understand the character, but I want more.

While I may seem rather critical, this seems like a series still finding its footing, and the comic's crew do more things right than wrong. I look forward to future volumes.

★★★☆☆

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This review originally appeared on Goodreads on June 18, 2012.

The Waters of Eternity

By Howard Andrew Jones – Thomas Dunne Books – November 22, 2011

Review by Robin Marx

This ebook collects most of the Dabir and Asim short stories by Howard Andrew Jones. Being a fan of both sword & sorcery (a genre Jones has made a valiant effort through articles at Black Gate, etc., to revive) and the Arabian Nights, I picked up this volume so as to learn about the characters before moving onto his debut novel, The Desert of Souls.

Dabir and Asim make an interesting pair of sword & sorcery heroes, very different from the genre's other notable duos, Fafhrd and the Gray Mouser and Elric and Moonglum. Dabir is a wise scholar, while expert swordsman Asim acts as the brawn. They're a bit like Holmes and Watson in that respect. Trusted by the caliph, they're called upon by a variety of people in need. In the stories collected, the premise most often involves some supernatural mystery or a threat on an important figure's life.

True to the genre, the stories are fast-paced, with swashbuckling action and strange creatures. The mystery elements are interesting, but Dabir often reaches conclusions with very little evidence, or at least none that's shared with the reader. As a result, these “brilliant deductions” can seem a little contrived. They'd ring a bit more true if Jones took more time placing hints beforehand.

The Arabian Nights atmosphere is a bit low-key, but there's enough flavor to distinguish these stories from standard Western fantasy. It's interesting to note that both Dabir and Asim are good Muslims, so while they encounter a variety of sword & sorcery temptresses, dancing girls, and femme fatales, there's no Conan-style wrenching to be found.

The book concludes with a sizable excerpt from the first Dabir and Asim novel, The Desert of Souls. This seemed superfluous to me, however, as most people likely to pick this book up have either read the novel and want to read Dabir and Asim's previously-published adventures, or those like me, who want to read these stories before moving onto the novel. I'll be buying The Desert of Souls, so I skipped this excerpt entirely.

I look forward to reading more about Dabir and Asim's exploits. While sword & sorcery lends itself well to shorter formats, novel-length might be a better match for Howard's style. Perhaps the extra room will give Howard more time to develop his mystery plots, as well as treat the reader to a bit more Arabian atmosphere.

★★★★☆

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This review originally appeared on Goodreads on May 5, 2014.

The Hammer and the Blade

By Paul S. Kemp – Angry Robot – January 1, 2012

Review by Robin Marx

I've been slightly dissatisfied with many of the books I've read this year, but The Hammer and the Blade turned out to be a welcome end to this unfortunate streak. It's a fun sword & sorcery novel from beginning to end.

The prologue introduces us to hammer-wielding priest Egil and his crafty rogue companion Nix, right in the middle of a raid on a pseudo-Egyptian tomb. The story very quickly establishes that they're in it for thrills, cash, and personal glory, rather than any more elevated goals. What do they do with their ill-gotten gains? On a whim they purchase their favorite scummy tavern/brothel. These are my kind of heroes: sword & sorcery scoundrels, not farm boys destined for greatness.

The story that follows is fast-paced and fun, as the heroes are coerced into doing the dirty work of an unpleasant sorcerer hoping to use his own sisters as breeding stock in a pact with demons.

As is often the case in swords & sorcery fiction, female characters were mostly relegated to the sidelines as potential romance interests and victims, but there's a moment late in the book where the heroes get a very visceral taste of the abuse the sisters have suffered at the hands of their brother, causing our leering, wenching heroes to reconsider the way they treat the women in their lives. The inclusion of this sudden change in perspective was a pleasant surprise.

My only complaint was that the pacing lulled in a couple sections. It took a little long for Egil and Nix to become involved in the main plot, and the finale likewise seemed a little drawn-out and lacking in tension compared to their final tomb raiding expedition. Everything else, however, was golden. Egil and Nix are great characters in the tradition of Fritz Leiber's Fafhrd and the Gray Mouser, and I look forward to reading their future adventures.

★★★★☆

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This review originally appeared on Goodreads on March 31, 2017.

Thunder on the Battlefield: Sword

Edited by James R. Tuck – Seventh Star Press, LLC – August 20, 2013

Review by Robin Marx

This is the first in a pair of anthologies collecting recent sword & sorcery stories. It contains a dozen stories, all of them with an emphasis on battle and combat.

“The Horde” by G. Jerome Henson The anthology begins with a story about a tribe rising up against the empire that colonized them. The story suffers a bit from being mostly told in flashback form, which is something I tend to think works better in novels than short stories. Not bad, but a bit disjointed.

“Paper Demons” by Jay Requard This story reminded me pleasantly of The Black Company series by Glenn Cook. A squad of colorful mercenaries from various different lands (including an interesting protagonist from fantasy India) find themselves in a China-inspired setting with orders to capture a deceptively cooperative sorceress. The resolution of the story involves both brains and brawn, and the setting and characters appealed.

“The Wolf and the Crow” by D.T. Neal This was another winner, perhaps the best story in the entire book. A wandering swordsman arrives in town just as a witch is to be put to death. Seemingly on a lark, he declares himself the witch's champion, even though it means facing off against a savage, bestial warrior. Nearly the entire story is a blow-by-blow description of their duel, and there's a lot of subtle and effective world-building revealed a bit at a time. This story in particular left me wanting to find out what happened next.

“Forest of Shadows” by John F. Allen An amorous barbarian warrior fights a number of supernatural opponents and encounters some pliant women. Apart from the final one, the action scenes seemed a bit perfunctory and the sex scenes juvenile. As a whole it wasn't bad, per se, but a lesser work of swords & sorcery that doesn't do much to expand upon the usual tropes.

“Emissary” by Marcella Burnard Set in a fantasy Egypt, this story is about a bad-ass warrior priestess and her two lioness companions returning to the city of her birth to avenge the destruction of the temple of her patron goddess, Sekhmet. While I found the minimal amount of resistance she faced on the way to her target—a sorcerer king—a little odd, her climactic battle with a reluctant opponent was well rendered and tinged with a surprising and welcome little bit of romance. “Emissary” was yet another story with a protagonist I would like to see reappear in another story.

“The Dogs of War” by David J. West Set during the Fourth Crusade, this tale is about a Viking and a Belgian mercenary who encounter some surprising supernatural resistance during the invasion of Constantinople. The story felt a little brief, with the threat dispatched a little too handily, but I've really enjoyed how many of these stories are set in the real world. “Historical sword & sorcery” is a subgenre that I would love to see expanded further. This story pleasantly reminded me of Gentlemen of the Road, by Michael Chabon. (It's a minor gripe, but while the editing for this anthology has been largely high quality this story in particular suffered from a number of misplaced apostrophes.)

“The Red Hand” by Alexis A. Hunter In this story centaurs and the undead, led by a powerful necromancer, have been at war for decades. The protagonist is a centaur warrior raised by the dead in the hope of finally putting an end to the conflict. I enjoyed the premise and grim atmosphere, but given the ending I was left feeling strongly that this story should not have been written in the first person past tense. It just doesn't work.

“Where the Red Blossoms Weep” by James R. Tuck Taking place on an Assyrian battlefield, this history-flavored tale involves a struggle between the last two survivors of the conflict and some particularly unsavory scavengers. The story was brief and fairly straightforward, but muscularly written.

“Thief of Souls” by Loriane Parker This story focuses on a specter (in this case, an armored skeleton) who, with the help of a human accomplice, seeks revenge on the treacherous former friend who slew both him and his wife. While I'm not clear on the reason why it took twenty years for the specter to put his plan into motion (if it was covered in the text, my eyes skipped past it), the premise was interesting and the execution effective. A solid entry.

“The Gnawed Bone” by W.E. Wertenberger A group of mercenaries' trip to a tavern leads to a horrific hangover among unpleasant company. The story takes a while to get rolling, the monsters seem to have a poor grasp of tactics, and some holes can be poked in the narrative, but overall it ended up being a lot of fun.

“All the Lands, Nowhere a Home” by Steven Zimmer While the adventure in the second half of the story was enjoyable, the first half of the story spends too much time on the Valkyrie-like main character's dealing with boorish men. The story begins with her killing a number of brigands for raping a refugee, then she beats up multiple leering drunks in a tavern for mistreating barmaids and groping her. This would have been fine if the plot that followed had been some sort of meditation about women's plight in a male-dominated world, but the meat of the story has nothing more to say about gender, focusing on a wilderness encounter with a horrific ghoul-like creature. The second half of the story is exciting and well-rendered, but because of the disconnect between the adventure portion and the opening the heroine's characterization suffers. All the seemingly extraneous verbiage spent on her protecting women against the depredations of men ends up making her look like the cliche of a “strong independent woman who don't need no man” when a lighter hand would have made her more effective as a heroine. Her bravery, loyalty, and battle prowess in the second half do more to exhibit her strength and toughness than the wasted paragraphs punching alcoholics for making sexist remarks. The end was exciting, but this story could have been tightened up.

“The Witch of Rymal Pass” by J.S. Veter The contrast between the heroine in this story and the one from the preceding tale could not have been greater. Themis is presented as a vengeful force of nature throughout this bloody revenge tale, with no words wasted on describing her as a strong woman warrior, her every single action demonstrates it. Nasty and gory, this was one of the highlights of the anthology.

Overall this was a strong anthology that I would be happy to recommend to any fan of the sword & sorcery subgenre of fantasy. The stories by Requard, Neal, and Veter in particular stood out from the pack. I look forward to reading the Sorcery-focused sequel.

★★★★☆

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This review originally appeared at This review originally appeared on Goodreads on August 25, 2021.

The Infernal Bargain and Other Stories

Edited by D.M. Ritzlin – DMR Books – January 1, 2019

Review by Robin Marx

Available free to mailing list subscribers, this promotional collection offers a sampling of the works by authors published by DMR Books. Most of the stories fall firmly in the sword & sorcery sub-genre of pulp fantasy. While not all of the stories left a strong impression on me, there were a number of standouts.

The books starts off strong with the title story by publisher D.M. Ritzlin himself. A muscular wanderer named Avok encounters a treacherous sorcerer and, but for his strength and wits, nearly finds himself the prey of a demon. A pretty traditional S&S tale, but an enjoyable one.

“Thannhausefeer's Guest” is another strong story. In this Viking-themed tale, a shipwrecked man finds himself drawn into a gladiatorial competition to entertain a giant cannibal. While a bit on the dour side, the story is vividly written and atmospheric.

“Into the Dawn of Storms” is more of a vignette than a self-contained story, but the situation it presents—an Elizabethan ship captain named Caleb Blackthorne receiving ominous portents from famous occultist Doctor John Dee—is intriguing enough to tempt me to seek out the complete book.

“The Gift of the Ob-Men” by Schuyler Hernstrom is a nicely weird sword & sorcery tale, also serving as the source of the title for Hernstrom's solo collection, The Eye of Sounnu. This story is one of the highlights of both books, seamlessly blending science fiction and fantasy.

Much like “The Infernal Bargain,” “Adventure in Lemuria” is another fairly traditional sword & sorcery adventure, this time complete with a strange cult, human sacrifice, and an evil temptress. The protagonist is ostensibly from Crete, but historical and cultural details are fairly light, seemingly more for spice than to ground the story in our world.

The book concludes with “The Heaviest Sword,” a horror story set in feudal Japan. This story is quite brief and vaguely sketched, but the Japanese flavor set it apart from the many Eurocentric stories in the book. I'd happily read more Japan-themed stories by Geoff Blackwell, but so far his output seems rather sparse and his Internet presence minimal.

Overall, this book offers a solid look at the kind of stories offered by DMR Books. It has encouraged me to research some of the authors further, but the anthology itself is harmed a bit by the presence of a couple novel excerpts that don't work particularly well independently. Most of the stories are by modern writers, so the inclusion of “The Sapphire Goddess” (1934) and “The Thief of Forthe” (1937) from the pages of Weird Tales also strike a bit of an odd note. That being said, this collection succeeds as a free sampler of DMR Books' output and is worth a read for sword & sorcery fans.

★★★☆☆

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This review originally appeared on Goodreads on October 29, 2017.

The Guiding Nose of Ulfant Banderoz

By Dan Simmons – Subterranean Press – June 30, 2013

Review by Robin Marx

With the death of archmagician Ulfant Banderoz, the Dying Earth seems closer to destruction than ever. Shrue the diabolist decides to make the dangerous journey to Banderoz’s Ultimate Library and Final Compendium of Thaumaturgical Lore and acquire the mystic knowledge housed within.

This charming novella evokes the color and vibrancy of Jack Vance’s classic Dying Earth cycle without attempting the fool’s errand of parroting the style of Vance himself. The end result is a story that feels at home in the setting (pelgranes, deodands, and the Excellent Prismatic Spray are all present and accounted for), but with a milder dose of Vance’s world-weary cynicism. There’s even some optimism mixed in here. That seems like a strange choice for a Dying Earth story, but somehow it works. An absolute gem of a story.

★★★★☆

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This review originally appeared on Goodreads on July 14, 2012.

Wizardry and Wild Romance: A Study of Epic Fantasy

By Michael Moorcock – UNKNO – March 16, 2004

Review by Robin Marx

This is an interesting and erudite overview of epic fantasy by one of the genre's living masters. The breadth of Moorcock's knowledge is impressive, particularly when it comes to pre-Tolkien fantasy and it's roots in gothic literature. It's also incredibly opinionated; there's something in here to irritate any serious fantasy fan. I delighted in his notorious portrayal of Lord of the Rings as safe and bland “Epic Pooh,” but I thought he gave Robert E. Howard short shrift in places, especially since he appeared to be working from one of the inferior products resulting from L. Sprague de Camp and Lin Carter's tampering. For the most part everything is well-argued, however. This is a worthwhile read for serious fantasy fans.

★★★★☆

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This review originally appeared on Goodreads on October 9, 2013.

Witch of the Four Winds / When the Idols Walked

By John Jakes – Open Road Media – July 31, 2012

Review by Robin Marx

This ebook volume collects the third and fourth Brak the Barbarian novels as well as two subsequent short stories. I enjoyed the first volume well enough, but this one left me pleasantly surprised. The novels here are much stronger than those in the previous book.

Witch of the Four Winds was the highlight of this volume. The premise is pretty standard; Brak must stop an evil sorceress from using her magic to destroy a beleaguered kingdom. But the great thing about the story is how lean it is. There is nothing extraneous here. Every character has an important role to play in the story, and no plot threads are left dangling. Everything comes together in the end to form a neat and tidy package.

The fourth novel, When the Idols Walked, was interesting, but not quite as strong as the third. The antagonists' motives are less clear than in other stories, and apart from a perceived debt of honor, Brak doesn't have much reason to stick around and become involved in a war that doesn't involve him. Still, the use of bound souls to control inanimate objects is an interesting one and leads to a pretty spectacular finale.

The novels are followed by “Brak in Chains.” While it wasn't quite as action-packed as the novels, the premise was an interesting one. Taken as a slave and blamed for heresy in a drought-cursed land, Brak is ordered to make it rain within two days or be executed. Like Witch of the Four Winds, the plot he uncovers is a clever one, and there's very little wasted verbiage or exposition.

Unfortunately the concluding story, “The Mirror of Wizardry,” is the dog of the collection. While it had a neat monster appearing it (piranha-like stones), the rest of the story is rather unremarkable and the characterization thin. It's a shame the book ended like this. To the best of my knowledge, this is the last Brak story, and with John Jakes' considerable age and the fact that his historical novels are so much more commercially successful, it doesn't look like Brak will ever get a worthy send-off.

While it didn't affect my opinion of the stories either way, one thing I noticed was how chaste the stories are. There's a pretty significant amount of gore (people reduced to “red slime” by falling rocks, enemies getting stabbed in the eyes, etc.), but zero sensuality. Every story has a beautiful girl appearing in it (or two: a companion/damsel and a femme fatale), but unlike Conan, Brak doesn't get any action at all. The evil girls tempt him but are ultimately rejected, and the good girls are either already romantically involved with other characters or lamely rejected by Brak by the story's conclusion. Brak has to be the most celibate literary barbarian I've come across.

While nowhere near as innovative and indispensable as the Conan, Elric, Kane, or Fafhrd & The Gray Mouser stories, the Brak stories are still worthwhile reads for fans of sword & sorcery. If you're new to the subgenre, however, I'd recommend you stick to the classics.

★★★☆☆

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This review originally appeared on Goodreads on February 5, 2013.

Guardian of the Dawn

By William King – Self-Published – August 1, 2011

Review by Robin Marx

This atmospheric fantasy short introduces Kormak, a disreputable-looking stranger belonging to a semi-mythical order of monster hunters. Wounded and caught out on the night of the full moon, when hostile creatures roam, he takes shelter at an isolated house. Realizing his true identity, the house's residents use his code of honor to coerce him into defending them against one particularly menacing creature.

The premise is appealing, and while Kormak himself is only vaguely sketched out as a character, he seems interesting. I also liked the setting hinted at in the story, with a sort of uneasy detente between the human realm and the bestial “children of the moon” roaming just outside the borders. However, I was disappointed when the story name-checked elves, dwarves, and orcs. Those Tolkienian races are completely played out, and their seemingly automatic inclusion marred an otherwise original sword & sorcery setting. The ending was also a bit of let-down. I respect the author for taking a daring chance with the narrative, but I can't help feeling that it effectively invalidated much of the preceding excitement.

Still, this was a good read overall. While I wasn't quite moved to run out and buy the other Kormak books, this story put King on my radar, and I'll keep an eye out for his stories in the future.

★★★☆☆

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This review originally appeared on Goodreads on August 2, 2012.

Michael Moorcock's Multiverse

By Michael Moorcock (Writer), Walter Simonson (Artist), Mark Reeve (Artist), John Ridgway (Artist) – DC Comics – November 1, 1999

Review by Robin Marx

Beautiful art, but this comic is for the hardest of hardcore Moorcock fans only. I've read about two dozen Moorcock books and have a decent grounding in his Eternal Champion mythos, and this series was still largely incomprehensible.

The idea of three parallel plot lines linking at the end of the story is an interesting one, but things never quite mesh, and the various threads don't seem to share equal relevance to the overall story. In the end the reader is left with a host of mostly cipher-like characters shouting about how “destruction of the multiverse is imminent” without gaining any real sense of the how and the why behind the threat.

Moorcock has written many of my favorite books, but this is him at his most impenetrable.

★★☆☆☆

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