This review originally appeared on Goodreads on January 15, 2013.

Yoshitoshi's Women: The Woodblock-Print Series Fuzoku Sanjuniso

By John Stevenson – University of Washington Press – 1995

Review by Robin Marx

This handsome volume offers an in-depth look at one of Yoshitoshi Tsukioka's most remarkable series of woodblock prints. The book opens with an excellent summary of Yoshitoshi's life as well as the ukiyo-e creative process, making it appropriate for both newcomers to Japanese art and the already initiated.

Each print in the series is given a full two page spread, with one page devoted to the artwork and the other providing in-depth commentary. The descriptions are fascinating and extremely illuminating, cluing the modern viewer in on allusions, metaphors, and other pieces of cultural context that the contemporary Japanese audience would've naturally understood.

From literature to fashion and material culture, the multidisciplinary depth of John Stevenson's research is truly impressive, and the presentation is clear and engaging. I've been a fan of Yoshitoshi's artwork for years, but this book helped me gain an even deeper appreciation of his work. Highly recommended.

★★★★☆

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This review originally appeared on Goodreads on January 15, 2013.

The Night Parade of One Hundred Demons: A Field Guide to Japanese Yokai

By Matthew Meyer – March 1, 2012

Review by Robin Marx

This illustrated volume is a fun, if not especially deep, look at monsters from Japanese folklore. The book is an adaptation of Matthew Meyer's A-Yokai-a-Day web project, where he uploaded an original painting of one of Japan's traditional monsters (Yokai) along with a brief explanatory article.

The book reads a bit like a Dungeons & Dragons Monster Manual, with each creature's appearance, diet, habits, and encounter spots listed. The text is breezy and entertaining, but doesn't offer much in the way of analysis or detail. The artwork was excellent, presented in a style that mixes traditional Japanese stylings with a more Western aesthetic. Overall this book offers an appealing look at an interesting side of Japanese culture, but those hoping for detail, citations, or more ethnographical content are going to be left wanting more.

★★★☆☆

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This review originally appeared on Goodreads on May 26, 2022.

The Kids in the Hall: One Dumb Guy

By Paul Myers – House of Anansi Press – October 23, 2018

Review by Robin Marx

This is a fun, breezy take on the story of the Kids in the Hall. While you can get the same story distilled into the recent—and excellent—two-part 80-minute Amazon Prime documentary Comedy Punks (the author of this book also served as an Executive Producer on the documentary), the book format naturally allows for greater detail. For casual fans, the documentary is probably sufficient, but if you own all the DVDs and have sketches committed to memory like me, you’ll appreciate the extra depth.

★★★★☆

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This review originally appeared on Goodreads on May 28, 2019.

The White Darkness

By David Grann – Doubleday – October 30, 2018

Review by Robin Marx

A brief but exciting read about a modern adventurer walking in the footsteps of his hero, Antarctic explorer Ernest Shackleton. In addition to a quick overview of the earliest polar expeditions, this book covers Henry Worsley's successful journey as well as the disastrous solo attempt that followed years later. The story touches on hero worship and the limits of human endurance as well as reminding the reader just how much untouched and inhospitable terrain remains on our planet.

As a two-part New Yorker essay, this was perfectly sized. However, had I paid for the published book edition (currently $12 on Amazon) I likely would have felt ripped-off. This book is more of a breezy sketch than an in-depth day-by-day portrayal.

★★★☆☆

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This review originally appeared on Goodreads on March 24, 2021.

Pimp: The Story of My Life

By Iceberg Slim – Cash Money Content – May 10, 2011

Review by Robin Marx

This autobiography is about a young black man from a broken home. He’s had an abusive childhood, poverty is never far away, and he’s living in the racism of 1930s America. He takes all his hate and rage about the oppression and hopelessness of his situation...and begins to bully and brutalize black women, perhaps the only social group more oppressed than himself. Pimps are scum. But to be fair, they’re not particularly glorified in this book. I doubt the reading comprehension of anyone who reads this book and decides to pursue the vocation.

This book read a bit like a serial killer memoir. The author rarely attempts to defend his predatory behavior, the casual manipulation and abuse of women at his hands is presented in a fairly matter-of-fact manner. Slim wanted prestige and wealth in an unfair society, and any woman he crossed paths with were potentially a means to that end. Slim was driven to a goal, and other people were tools.

In addition to the serial killer memoir feel, this book also has a Clockwork Orange vibe. The entire book is written in a rich lexicon of blunt, brutal slang that compellingly brings the bleak ghetto lifestyle to mind. As with A Clockwork Orange, violence tends to be sudden and shocking, and as likely to be a tool of the authorities as the criminal underworld.

While I wouldn’t describe it as fun or pleasurable spending time in the world presented here, it’s a fascinating story related in an engaging manner. I look forward to reading the novels of Iceberg Slim.

★★★★☆

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This review originally appeared on Goodreads on April 12, 2012.

Bulfinch's Mythology

By Thomas Bulfinch – Lee & Shepard – 1867

Review by Robin Marx

While a very ambitious work, Bulfinch's Mythology didn't quite live up to my expectations. Assembling it was clearly a major undertaking, but the spotty coverage and uninspiring presentation hinder the overall quality of the work.

The book starts off fairly strongly, with an exhaustive chronicle of Greek mythology. Here Bulfinch's enthusiasm for the topic is clearly visible. Not only does he relate the stories, but he also points out allusions to the characters and themes to them in literature and poetry (Romantic verse in particular).

However, despite spending a great deal of attention on the Greeks, the Arthur myth, and stories related to Charlemagne, his perfunctory handling of the Norse and Hindu mythologies as well as the legends of Beowulf and Robin Hood leave a lot to be desired. The story of Robin Hood is boiled down to a single brief anecdote (the archery contest), and I would have preferred he omit these stories entirely than give them the uninspired coverage seen here.

His matter-of-fact retelling of the myths also harms their impact. Here he is, discussing stories of epic heroes, fierce monsters, and world-changing magic, but it's all relayed in a bland, sleep-inducing tone. If you're not already a mythology enthusiast, this book won't turn you into one.

However, Bulfinch deserves a great deal of credit for the scope of this work and the depth of his research. Well over a century has passed since the writing of this book, and no one has come close to creating such a monumental work in this field.

★★★☆☆

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This review originally appeared on Goodreads on January 15, 2013.

Japanese Colour Prints

By Jack Ronald Hillier – Phaidon Press – August 12, 1998

Review by Robin Marx

This book was a bit of a disappointment. The opening essay offered a decent overview of the history of ukiyo-e, but those readers without a background in art history (and ideally some knowledge of Japanese art) are likely to find it confusing and unhelpful.

While most of the most notable artists are present and accounted for, the example prints selected were lacking in several instances. Harunobu, Utamaro, Hokusai, and Hiroshige were all incredibly influential artists, yet the prints chosen for them are far from their best work.

The commentary accompanying the prints is also spotty. Rather than providing some much-needed cultural context for Kabuki scenes, allusions, etc., featured in the print, Hillier tends to go off on extraneous tangents about that artists' pupils.

I also felt Hillier's decision to exclude late period prints (after the introduction of foreign aniline dyes) was pure snobbery. He argues that “...few of the later prints rise above either ineffectual prettiness, or violently colored melodrama,” but Yoshitoshi was one of the giants of the art form, and dismissing his work is unforgivable.

In the end, this book offers a decent, unspectacular survey of the ukiyo-e art form, with commentary that goes into a little too much detail in arcane areas. Who is the audience for this book? Pairing introductory artwork with beginner-unfriendly text seems like a strange editorial decision. The artwork is nice, but I'd recommend those interested in ukiyo-e either look elsewhere, or supplement their reading with additional books.

★★☆☆☆

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This review originally appeared on Goodreads on February 26, 2018.

A Guide to the Good Life: The Ancient Art of Stoic Joy

By William B. Irvine – Oxford University Press – November 4, 2008

Review by Robin Marx

This book is simple and effective, with clear explanations and methodical organization. Irvine argues that, unlike the ancient Greeks and Romans, modern people tend to lack a philosophy for living, and that people can benefit from incorporating philosophical principles into their daily life. He makes the case for Stoicism in particular as a philosophy with special utility in helping people manage negative emotions and attain a greater sense of tranquility.

Throughout the book he introduces the major figures in Stoic history, their teachings, and advises how to apply them to modern life. Dealing with insults, aging, and grief are all topics covered in the book. While Stoicism today is somewhat obscure and misunderstood, many readers will see familiar parallels in Buddhism (which also understands that desire and attachments are a source of frustration and misery) and the literature about mindfulness.

While I discovered and adopted Stoicism on my own two decades ago (I'm what the author terms a “congenital Stoic”), I appreciated the history lesson and the systematic presentation of the philosophy's tenets and their application. While an interest in history is a plus, I'd recommend this book wholeheartedly to anyone seeking more equanimity in their daily life, especially if they're skeptical of religion.

★★★★☆

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This review originally appeared on Goodreads on September 2, 2015.

A Curious Man: The Strange and Brilliant Life of Robert “Believe It or Not!” Ripley

By Neal Thompson – Crown Archetype – May 7, 2013

Review by Robin Marx

While a somewhat obscure figure these days, this biography shows how Robert Ripley went from humble beginnings to world-famous cartoonist and one of the richest men in America.

Ripley lived the life of a pulp hero, and the book often has the same sort of breathless voice found in the old adventure magazines. I found it interesting that the narrative focuses more on his life in New York (and later Florida) than the details of his overseas excursions. Despite the adventurer mystique, it turns out that he tended to spend his many trips in relative comfort and surrounded by other Westerners, rather than do much in the way of trailblazing. It turns out that his life in America—as a somewhat awkward figure thrust into the celebrity spotlight—is every bit as interesting as his travels, however.

Ripley is represented as an interesting and conflicted human being, and the book doesn't shy away from presenting some of the more negative aspects of his personality (alcohol abuse, womanizing, and a propensity towards fits of rage as his health declined later in life).

The book makes an effort to parallel his unlikely life with the subject matter of his “Believe It or Not” newspaper cartoons, with occasional sidebars mentioning unusual coincidences or people mentioned in passing who later went on to do notable things. While these sidebars are interesting, they didn't feel frequent enough to fully carry off the conceit.

“A Curious Man” is a brisk read. Just like the man whose life it chronicles, the narrative is always on the move. Recommended for those with an interest in early 20th century Americana and world travel.

★★★★☆

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This review originally appeared on Goodreads on July 13, 2017.

Substance: Inside New Order

By Peter Hook – Dey Street Books – January 31, 2017

Review by Robin Marx

The third book written by ex-Joy Division and New Order bassist Peter “Hooky” Hook, this is also his best. While over 700 pages long, this was a gripping read that was simultaneously both expansive and incredibly detailed.

Joy Division and New Order are bands surrounded by a lot of mystique and mythology, a great deal of it cultivated by the band themselves. They avoided the press and only grudgingly promoted their own albums. I hoped lead singer Bernard Sumner's Chapter and Verse: New Order, Joy Division and Me would shed some more light on the inner working of the band, but I was left disappointed. Much as he did with his previous Joy Division memoir, Hooky stepped up to deliver the nitty gritty details—the Substance, so to speak—that Sumner's book lacked.

Hooky covers the story of the band both on-stage and off-, and he refuses to shy away from painting himself and the others in an unflattering light with tales of their intoxicated revels, property destruction, womanizing, and other rock star antics. There's also a great deal of information provided about the music-making process, the evolution of the equipment used, and set lists for individual gigs.

The core of the book, however, is the deteriorating friendship between Sumner and Hooky. Both were childhood friends and the first members of Joy Division, but it's clear that life in the music industry changed both of them. Hooky has always come off as combative and competitive, and he paints a picture of Sumner as becoming gradually more controlling and diva-like in his interactions with the rest of the band. I suspect that both members are equally to blame for the falling out. Now sober for ten years, Hooky speaks frankly about his damaging addictions to cocaine and alcohol, and it appears that Sumner was equally prone to substance abuse, and perhaps still is. Hooky chalks up the cause of much of his own bad behavior to his struggle with drugs, but seems curiously unwilling to extend the benefit of the doubt to his former best friend.

Regardless of how the blame for Hook's departure from the band should be best assigned, rather than simple hate Hook seems more hurt and wounded by how things have turned out than anything else. New Order fans who read this book might end up learning too much about their favorite band, seeing how fractured the internal dynamics were and how petty the members could be, but even provided by a biased storyteller I found this deeper understanding adds an extra layer of appreciation when listening to New Order's iconic music.

★★★★☆

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