swordandsorcery &mdash; Robin Marx's Writing Repository https://robinmarx.writeas.com/tag:swordandsorcery Fantasy, horror, and science fiction reviews Thu, 04 Jun 2026 07:56:11 +0000 https://i.snap.as/EX4Fz0jT.png swordandsorcery &mdash; Robin Marx's Writing Repository https://robinmarx.writeas.com/tag:swordandsorcery Review – JANGAR!: Slaves of the Mind Mage by Logan D. Whitney https://robinmarx.writeas.com/review-jangar-slaves-of-the-mind-mage-by-logan-d-whitney?pk_campaign=rss-feed <![CDATA[ This review is a Writing Repository original. JANGAR!: Slaves of the Mind Mage By Logan D. Whitney – Cliffhanger! Press – June 1, 2026 Review by Robin Marx The pounding of drums deep in the jungle draw savage wild man Jangar to an encampment of Ur-Men—hostile ape-like creatures—who revel as caged humans cower in fear. When he spies a terrified young woman tied to a spire in the outpost’s center, offered up as a sacrifice to the Ur-Men’s lumbering god, Jangar is pushed to violently intervene. Even after his daring rescue is complete, however, Jangar’s troubles have only begun. While Jangar was born to the jungle, Yala—as the beauteous former captive is known—is altogether unprepared for such a dangerous environment and unlikely to survive on her own. As Jangar and Yala set off for civilization, the pair soon encounters threats unknown even to Jangar: the otherworldly Mind Mage and his eerie servitors. Hot on the heels of February’s Honor Among Rogues: Six Thrilling Tales of Pulp Adventure, JANGAR!: Slaves of the Mind Mage marks the first installment in a new project by Logan D. Whitney. It’s the first novelette of six planned monthly releases; the first five will be DRM-free ebooks, with the sixth installment to be collected along with the previous installments and printed as a mass market-sized paperback. Where Honor Among Rogues kept to the relatively grounded terrain of Earth’s historical past as viewed through an adventure pulp lens, in JANGAR! Whitney is in full Sword & Sorcery mode. In his Author’s Note, he cites contemporary author Steve Dilks’ hero Gunthar as an inspiration, one that then led Whitney to another character that would become a further influence on JANGAR!: Lin Carter’s Thongor. While the broad-strokes setting of primeval Muu does feel reminiscent of Carter’s ancient Lemuria, readers are also likely to feel the shadow of Edgar Rice Burrough’s Tarzan. Like Tarzan, Jangar is a solitary human raised in the wilderness by animal parents: saber-tooth tigers rather than the gorilla-like Mangani from Tarzan of the Apes. The panther-like Jangar is portrayed as more beast than man, and his interactions with other human beings as guarded and tentative. In one memorable passage, he even teaches Yala how to use dangling vines to navigate the jungle. The greatest strength of JANGAR!: Slaves of the Mind Mage is its fast pacing. Just 42 pages in length, there’s no wasted verbiage. Jangar and Yala face one struggle after another, with very little opportunity to catch their breath. Readers are only given enough worldbuilding required by the story, and the distant metropolis of Q’oth and the rest of the continent of Muu remain mysterious and ripe for future elaboration. With a savage barbarian hero, a beautiful woman in need of assistance, brutal ape-men, and glimpses of cosmic horror, the ingredients of JANGAR!: Slaves of the Mind Mage will be familiar to seasoned readers of Sword & Sorcery, but they’re served up in such an entertaining manner that I suspect most fans of the subgenre will happily overlook the lack of boundary-pushing. Indeed, Whitney includes several amusing references to other pulp tales as if affirming the story’s connection to similar adventures, rather than trying to stand apart. Jangar’s jungle home is named “Zan-Tar,” a barely-concealed anagram for “Tarzan.” Paraphrasing Conan’s memorable “if life is illusion, then I am no less an illusion” reflection from “Queen of the Black Coast” (1934), Jangar echoes “If life is a dream, then I, too, am a dream.” There’s even a sly reference to the work of Whitney’s Rogues in the House podcast associate Matthew John when Yala is tempted with the knowledge of how to “walk on worlds,” a phrasing suspiciously similar to the title of John’s first S&S collection. Fast-paced and action-packed, with a satisfying conclusion, JANGAR!: Slaves of the Mind Mage is a tasty Sword & Sorcery snack. I look forward to future installments. The digital novelette is available now via Amazon Kindle and Payhip. #WritingRepositoryOriginal #BookReview #Fantasy #SwordAndSorcery #JangarSlavesOfTheMindMage #Jangar #CliffhangerPress #LoganDWhitney]]>

This review is a Writing Repository original.

JANGAR!: Slaves of the Mind Mage

By Logan D. Whitney – Cliffhanger! Press – June 1, 2026

Review by Robin Marx

The pounding of drums deep in the jungle draw savage wild man Jangar to an encampment of Ur-Men—hostile ape-like creatures—who revel as caged humans cower in fear. When he spies a terrified young woman tied to a spire in the outpost’s center, offered up as a sacrifice to the Ur-Men’s lumbering god, Jangar is pushed to violently intervene. Even after his daring rescue is complete, however, Jangar’s troubles have only begun. While Jangar was born to the jungle, Yala—as the beauteous former captive is known—is altogether unprepared for such a dangerous environment and unlikely to survive on her own. As Jangar and Yala set off for civilization, the pair soon encounters threats unknown even to Jangar: the otherworldly Mind Mage and his eerie servitors.

Hot on the heels of February’s Honor Among Rogues: Six Thrilling Tales of Pulp Adventure, JANGAR!: Slaves of the Mind Mage marks the first installment in a new project by Logan D. Whitney. It’s the first novelette of six planned monthly releases; the first five will be DRM-free ebooks, with the sixth installment to be collected along with the previous installments and printed as a mass market-sized paperback.

Where Honor Among Rogues kept to the relatively grounded terrain of Earth’s historical past as viewed through an adventure pulp lens, in JANGAR! Whitney is in full Sword & Sorcery mode. In his Author’s Note, he cites contemporary author Steve Dilks’ hero Gunthar as an inspiration, one that then led Whitney to another character that would become a further influence on JANGAR!: Lin Carter’s Thongor. While the broad-strokes setting of primeval Muu does feel reminiscent of Carter’s ancient Lemuria, readers are also likely to feel the shadow of Edgar Rice Burrough’s Tarzan. Like Tarzan, Jangar is a solitary human raised in the wilderness by animal parents: saber-tooth tigers rather than the gorilla-like Mangani from Tarzan of the Apes. The panther-like Jangar is portrayed as more beast than man, and his interactions with other human beings as guarded and tentative. In one memorable passage, he even teaches Yala how to use dangling vines to navigate the jungle.

The greatest strength of JANGAR!: Slaves of the Mind Mage is its fast pacing. Just 42 pages in length, there’s no wasted verbiage. Jangar and Yala face one struggle after another, with very little opportunity to catch their breath. Readers are only given enough worldbuilding required by the story, and the distant metropolis of Q’oth and the rest of the continent of Muu remain mysterious and ripe for future elaboration.

With a savage barbarian hero, a beautiful woman in need of assistance, brutal ape-men, and glimpses of cosmic horror, the ingredients of JANGAR!: Slaves of the Mind Mage will be familiar to seasoned readers of Sword & Sorcery, but they’re served up in such an entertaining manner that I suspect most fans of the subgenre will happily overlook the lack of boundary-pushing. Indeed, Whitney includes several amusing references to other pulp tales as if affirming the story’s connection to similar adventures, rather than trying to stand apart. Jangar’s jungle home is named “Zan-Tar,” a barely-concealed anagram for “Tarzan.” Paraphrasing Conan’s memorable “if life is illusion, then I am no less an illusion” reflection from “Queen of the Black Coast” (1934), Jangar echoes “If life is a dream, then I, too, am a dream.” There’s even a sly reference to the work of Whitney’s Rogues in the House podcast associate Matthew John when Yala is tempted with the knowledge of how to “walk on worlds,” a phrasing suspiciously similar to the title of John’s first S&S collection.

Fast-paced and action-packed, with a satisfying conclusion, JANGAR!: Slaves of the Mind Mage is a tasty Sword & Sorcery snack. I look forward to future installments. The digital novelette is available now via Amazon Kindle and Payhip.

#WritingRepositoryOriginal #BookReview #Fantasy #SwordAndSorcery #JangarSlavesOfTheMindMage #Jangar #CliffhangerPress #LoganDWhitney

]]> https://robinmarx.writeas.com/review-jangar-slaves-of-the-mind-mage-by-logan-d-whitney Tue, 02 Jun 2026 06:02:35 +0000 Review Archive – Conan: Cult of the Obsidian Moon by James Lovegrove https://robinmarx.writeas.com/review-conan-cult-of-the-obsidian-moon-by-james-lovegrove?pk_campaign=rss-feed <![CDATA[ This review originally appeared at Grimdark Magazine on April 24, 2026. Conan: Cult of the Obsidian Moon By James Lovegrove – Titan Books – November 19, 2024 Review by Robin Marx In Conan: Cult of the Obsidian Moon by James Lovegrove, Conan the Cimmerian, still mourning his pirate queen Bêlit, trades the seas for the desert, languishing in the Shemitish city-state of Eruk. His last adventure—an attempted burglary foiled by a sabretooth tiger—having ended in disaster, the barbarian searches for a distraction. One such opportunity presents itself when Conan makes the acquaintance of Hunwulf and Gudrun, an eloped couple on the run from their former tribe. The family and Conan become fast friends after his timely intervention in a tavern brawl, and Conan becomes further intrigued when he meets their young son Bjørn, who demonstrates an uncanny ability to control animals. Conan agrees to look after the boy while his parents stage a final confrontation with their implacable tribal stalkers. Events take a turn for the unexpected, however, when an entirely new threat emerges and the boy is snatched away by a winged reptilian creature. Vowing to make things right, Conan accompanies the bereft parents on a desperate search for the abducted boy. The trail takes them into the blighted Rotlands deep within Kush, where a secretive religious sect has dark designs for Bjørn and a host of other kidnapped children, each harboring their own budding supernatural talent. Stakes quickly escalate, and Conan finds himself pitted against a truly apocalyptic threat. Following Blood of the Serpent by S. M. Stirling and City of the Dead by John C. Hocking, Cult of the Obsidian Moon is the third release in Titan Books’ series of original Conan the Barbarian pastiche novels. Where Blood of the Serpent was conceived as a direct prequel to the classic Robert E. Howard-penned novella “Red Nails” (1936) and City of the Dead paired a reprint of an acclaimed novel from the series’ Tor Books era with a new sequel, Cult of the Obsidian Moon also introduces a new element to the Titan Books line by tying it into Titan Comics’ Conan the Barbarian storylines. Subtitled “A Black Stone Novel,” Cult of the Obsidian Moon includes several motifs from the first year of the Conan the Barbarian comic and its culminating Battle of the Black Stone miniseries. The recurring carved eye sigil from the comics has a prominent presence in Cult of the Obsidian Moon, and the character James Allison, a 1930s pulp writer who bases adventure stories on remembered past lives, likewise appears in both Battle of the Black Stone and the framing story that bookends Cult of the Obsidian Moon. These references mostly operate at the level of Easter Eggs, however, and non-comic readers need not worry about having their enjoyment of the novel harmed by unfamiliarity with the Titan Comics Conan the Barbarian storylines. While the comic references are interesting, Cult of the Obsidian Moon doesn’t give readers the best first impression. The James Allison framing story feels mostly extraneous. Bjørn’s father Hunwulf is presented as one of Allison’s remembered past lives (and, indeed, the Cult of the Obsidian Moon novel as a whole is fictionally presented as a manuscript written by Allison and submitted for publication at a pulp magazine called Anomalous Adventures), and Hunwulf himself has a similar ability to experience other incarnations, but these aspects of the story feel underutilized. Conan is the primary viewpoint character, not Allison-recalling-Hunwulf, and substantial stretches of the novel occur in Hunwulf’s absence. Hunwulf’s supernatural talent briefly comes in handy while attempting to avoid the otherwise unpredictable hazards of the Rotlands, but it fails to reappear in the late chapters of the book. Excising both the framing story and Hunwulf’s unusual ability would have given the book a tighter focus, reduced unnecessary page count, and would have made remaining supernatural elements feel more special due to their scarcity. It feels like the book doesn’t really get started until Conan and his newfound friends are forced to leave Shem. The first third of the book feels regrettably aimless, but once Bjørn is abducted the narrative shifts into high gear. The remainder of the story is a much faster-paced rescue mission in hostile territory. The Rotlands is a sort of living cancer on the land, full of threatening flora and fauna, where any misstep can end in death. When they finally reveal themselves, the reptilian Folk of the Featherless Wing (as the titular Cult of the Obsidian Moon call themselves) boast an interesting backstory and motivations that go above and beyond those of typical evil religious groups in fantasy fiction. And while James Lovegrov