Robin Marx's Writing Repository

This review originally appeared on Goodreads on February 6, 2019.

The Burrowers Beneath

By Brian Lumley – Grafton Books – January 1, 1974

Review by Robin Marx

This was a fun but not earthshaking (oh-ho-ho) addition to the Cthulhu Mythos.

The book has a lot of fun ideas. The subterranean squid-like Chthonian creatures themselves are great. The Wilmarth Foundation, a secret organization of like-minded individuals working against the Mythos, is also an interesting addition to the canon. The execution of the book is a bit less than ideal, however.

The book is structured as an epistolary novel, composed of both letters and diary entries from a variety of characters. Some of the letters are very atmospheric and engrossing. The stories about about a mine inspector who encounters extraterrene eggs and a coastal rig that strikes more than oil stand out in particular. The result is a bit uneven, with mostly self-contained vignettes that are actually more entertaining than the primary narrative. And although he's positioned as the protagonist, Titus Crow is a passive figure for much of the book, either being directed by or receiving exposition from helpful supporting characters that seek him out.

While apparently set in the modern day (the early 1970s, when the book was published), Lumley's obvious affection for Lovecraft and old-fashioned gentleman's club occult detective yarns leads to a story that seems strangely untethered in time. Lumley's master occultist character Titus Crow seems like he'd be more at home in one of William Hope Hodgson's Edwardian Carnacki, The Ghost-Finder stories and Crow's Watson-style sidekick Henri-Laurent de Marigny also seems like a similar throwback to an earlier era. It felt a bit off reading about these smoking jacket / brandy snifter types discussing atomic testing.

There are some creepy moments as the Chthonians' capabilities are gradually revealed, but they don't get as much time in the spotlight as I would have liked. For ageless, godlike beings they turn out to be pushovers once the humans in the story figure out what's going on and get their act together. Apart from one fascinating scene detailing an attack on a massive captive Chthonian, the expulsion of the Chthonians from the British Isles is mostly glossed over. The book's conclusion feels like “Yeah, we lost some guys along the way but things mostly went according to plan.”

It's also interesting to note that the Chthonians only start acting directly against humans when their eggs are stolen or tampered with. They don't seem like much of a menace to humanity otherwise, apart from worshipping unappealing alien gods. In this aspect they brought to mind the misunderstood Horta from the original Star Trek episode “The Devil in the Dark.”

Some readers describe Lumley's Cthulhu Mythos output as Lovecraft fanfic. While that feels a bit uncharitable, it's not wrong, either. Lumley also borrows heavily from August Derleth's reinterpretation of the Mythos, where human beings have a certain level of Elder God support in the war against the “evil” Great Old Ones. Star-Signs of Mnar are wielded like crucifixes in the face of “CCDs” (Cthulhu Cycle Deities). While this sort of thing can be fun—I personally believe the Cthulhu Mythos is a sort of “big tent” that can accommodate everything from The Dunwich Horror to Bride of Re-Animator—readers hoping for actual cosmic horror are likely to be disappointed.

I enjoyed this book, but Lovecraft purists are better off reading something closer to the original source.

★★★☆☆

#CapsuleReviewArchive #BookReview #Horror #TheBurrowersBeneath #TitusCrow #BrianLumley #HPLovecraft #CthulhuMythos

This review originally appeared on Goodreads on October 11, 2021.

Peepland

By Christa Faust (Writer), Gary Phillips (Writer, Artist), Andrea Camerini (Artist) – Titan Comics – August 1, 2017

Review by Robin Marx

Set in the seedy pre-gentrification Times Square of 1986, Peepland tells the story of peep show booth girls, pornographers, punks, and other outcasts who become unwitting witnesses to a murder committed by a rich kid with a connected father.

I’ve read a half dozen entries in the Hard Case Crime line of graphic novels and this is the best one so far. The art is consistently high quality throughout, and Christa Faust’s neo-noir prose is always a treat. In an afterword, Faust mentions that the feel and some of the characters are based on her own experiences working peep show booths in 80s Time Square, and the story does benefit from authenticity and the humanity with which the misfit characters are treated.

★★★★☆

#CapsuleReviewArchive #ComicReview #CrimeFiction #TitanComics #HardCaseCrime #Peepland #ChristaFaust

This review originally appeared on Goodreads on January 9, 2017.

The Polar Treasure / Pirate of the Pacific (Doc Savage #4 & #5)

By Kenneth Robeson (House Name)/Lester Dent – Street & Smith – 1934

Review by Robin Marx

The Polar Treasure was a lot of fun, but the accompanying Pirate of the Pacific was perhaps the weakest installment in the series this far, even worse than Quest of the Spider.

The Polar Treasure starts off with the kidnapping of a blind master violinist and ends up with a submarine voyage to the arctic. The action is great, Doc's exploits are clever, and the supporting characters memorable. One twist was that instead of one nefarious criminal gang, Doc and his crew find themselves dealing with two competing gangs of crooks. This adds an extra dimension to the narrative not seen in previous installments.

While The Polar Treasure was a great deal of fun, Pirate of the Pacific was a dull slog. Taking place immediately after The Polar Treasure (Doc and his friends are journeying back from the arctic circle in their submarine), the story involves a “modern day” pirate named Tom-Too attempting to conquer the “Luzon Union” (apparently the fictionalized Philippines). I found it difficult to remain involved in the action. There's a briefly interesting passage where Doc and his pals go incognito on the same ocean liner as Tom-Too and his cronies, but Doc Savage's pals are repeatedly and monotonously kidnapped and rescued over the course of the story. Doc's escapes from danger are even more unbelievable than usual, and even the shark attack scenes are less exciting than they could have been. When Tom-Too's true identity was revealed as a fairly unobtrusive supporting character I couldn't summon up much more than a shrug.

While it tinges pretty much all of the Doc Savage stories given the time period, the racism in Pirate of the Pacific is particularly egregious. Tom-Too's gang is a mix of Asian ethnicities, so there are lots of references to “slanted-eyes,” yellow skin, “half-castes,” and so forth. The Man of Bronze spends a great deal of time undercover in yellow-face, speaking in the same cringe-worthy “Me so solly!” pidgin and fawning “O most beneficent one!” pseudo-Chinese speech as the evil Asian criminals. As a pulp fiction fan I generally don't get too worked up about outdated depictions of ethnic minorities, but they were particularly prominent and ignorant in Pirate of the Pacific. The Polar Treasure had some references to foul-smelling, superstitious Eskimos, but they weren't portrayed as wicked sub-humans.

The Polar Treasure was one of the better Doc Savage yarns, but I think Pirate of the Pacific can be safely skipped.

★★★☆☆

#CapsuleReviewArchive #BookReview #PulpFiction #ThePolarTreasure #PirateOfThePacific #DocSavage #KennethRobeson #LesterDent

This review originally appeared on Goodreads on August 16, 2015.

The Graveyard Book

By Neil Gaiman – HarperCollins – September 30, 2008

Review by Robin Marx

This Jungle Book-inspired young adult fantasy by Neil Gaiman was pleasant, but nothing particularly profound.

The central premise, in which an orphaned toddler is adopted by the residents of a cemetery, is an interesting one, but the details of such a living arrangement felt insufficiently explored. The quirky antagonists of the story likewise felt underdeveloped and sort of a rehash of the much more interesting Mr. Croup and Mr. Vandemar from Neverwhere.

While I won't label it a flaw, per se, I did find it a bit jarring every time the Internet or other trappings of modern society were mentioned, as the book's voice has a very Edwardian feel (much like the artwork of Edward Gorey).

I didn't dislike this book, but it definitely felt like one of Gaiman's lesser works. It could be a worthwhile recommendation to boys and girls in late elementary school, but for the adult reader or fan of Gaiman there's not much to sink your teeth into.

★★★☆☆

#CapsuleReviewArchive #BookReview #UrbanFantasy #YoungAdult #TheGraveyardBook #NeilGaiman

This review originally appeared on Goodreads on July 25, 2017.

Old Man's War

By John Scalzi – Tor Books – January 15, 2007

Review by Robin Marx

This was an exciting military SF adventure in the tradition of +Starship Troopers*. A retiree joins the Colonial Defense Force, rumored to be able to make the elderly young again, and soon finds himself drawn into a much larger universe—one full of conflict—than he expected.

While it's touched upon briefly, I expected a bit more meditation on the psychological toll constant warfare would have on the human mind, but the general mood is kept brisk and light throughout the book. Readers looking for more emotional heft are advised to check out The Forever War or Armor. Despite its different emphasis, Old Man's War is not necessarily a shallow book, however, and fans of those other military SF classics are likely to enjoy this book as well.

Old Man's War works just fine as a stand-alone work of science fiction, but the world presented is interesting enough that the sequel volumes look appealing as well. Recommended for fans of military SF, or old fashioned space opera in general.

★★★★☆

#CapsuleReviewArchive #BookReview #ScienceFiction #MilitarySF #OldMansWar #JohnScalzi

This review originally appeared on Goodreads on November 3, 2020.

The Scarlet Gospels

By Clive Barker – St. Martin's Press – May 19, 2015

Review by Robin Marx

While this book was a page-turner and a nice return to form for Clive Barker, it’s a little light on plot and characterization.

The story brings together Barker’s occult detective character Harry D’Amour (probably most famous in his film incarnation, played by Scott Bakula in Lord of Illusions) and the demonic Hell Priest Pinhead, who was briefly introduced in the novella The Hellbound Heart and made famous in the Hellraiser movies. More interested in the human world than his colleagues, Pinhead arranges things so that Harry has no choice but to serve as Pinhead’s “witness” as the Cenobite enacts his master plan for Hell.

It was a bit of a disappointment seeing Pinhead reduced to a demon of middling influence in the Judeo-Christian Hell rather than a more dominating figure from the more enigmatic realm in the original novella and films. That being said, Pinhead is every bit as imposing as fans of the character would hope. The geography and politics of Hell are also intriguing and mysterious, if a bit under-explained.

It was nice seeing Harry again, but the friends that join him on his journey into the underworld could have been fleshed out a bit more. Their banter and flirtations could’ve had a bit more weight if they had a bit more development beyond “tall gay tattoo artist,” “heavily tattooed aggressive woman,” etc.

I enjoyed Barker’s gruesome prose. A lot of his more recent work has been in the Young Adult genre or straying towards lightly supernatural lit flick, but there’s plenty of old-fashioned Barker blood-letting in this story. There’s also a lot of beautiful and evocative scenes, another Barker specialty.

This book could have been much more—apparently the manuscript was edited down quite a bit—but it was still nice glimpsing Barker returning to his beloved characters.

★★★☆☆

#CapsuleReviewArchive #BookReview #DarkFantasy #Horror #CliveBarker #TheScarletGospels #Hellraiser

This review originally appeared on Goodreads on April 12, 2012.

Bulfinch's Mythology

By Thomas Bulfinch – Lee & Shepard – 1867

Review by Robin Marx

While a very ambitious work, Bulfinch's Mythology didn't quite live up to my expectations. Assembling it was clearly a major undertaking, but the spotty coverage and uninspiring presentation hinder the overall quality of the work.

The book starts off fairly strongly, with an exhaustive chronicle of Greek mythology. Here Bulfinch's enthusiasm for the topic is clearly visible. Not only does he relate the stories, but he also points out allusions to the characters and themes to them in literature and poetry (Romantic verse in particular).

However, despite spending a great deal of attention on the Greeks, the Arthur myth, and stories related to Charlemagne, his perfunctory handling of the Norse and Hindu mythologies as well as the legends of Beowulf and Robin Hood leave a lot to be desired. The story of Robin Hood is boiled down to a single brief anecdote (the archery contest), and I would have preferred he omit these stories entirely than give them the uninspired coverage seen here.

His matter-of-fact retelling of the myths also harms their impact. Here he is, discussing stories of epic heroes, fierce monsters, and world-changing magic, but it's all relayed in a bland, sleep-inducing tone. If you're not already a mythology enthusiast, this book won't turn you into one.

However, Bulfinch deserves a great deal of credit for the scope of this work and the depth of his research. Well over a century has passed since the writing of this book, and no one has come close to creating such a monumental work in this field.

★★★☆☆

#CapsuleReviewArchive #BookReview #Nonfiction #Mythology #BulfinchsMythology #ThomasBulfinch

This review originally appeared on Goodreads on January 15, 2013.

Japanese Colour Prints

By Jack Ronald Hillier – Phaidon Press – August 12, 1998

Review by Robin Marx

This book was a bit of a disappointment. The opening essay offered a decent overview of the history of ukiyo-e, but those readers without a background in art history (and ideally some knowledge of Japanese art) are likely to find it confusing and unhelpful.

While most of the most notable artists are present and accounted for, the example prints selected were lacking in several instances. Harunobu, Utamaro, Hokusai, and Hiroshige were all incredibly influential artists, yet the prints chosen for them are far from their best work.

The commentary accompanying the prints is also spotty. Rather than providing some much-needed cultural context for Kabuki scenes, allusions, etc., featured in the print, Hillier tends to go off on extraneous tangents about that artists' pupils.

I also felt Hillier's decision to exclude late period prints (after the introduction of foreign aniline dyes) was pure snobbery. He argues that “...few of the later prints rise above either ineffectual prettiness, or violently colored melodrama,” but Yoshitoshi was one of the giants of the art form, and dismissing his work is unforgivable.

In the end, this book offers a decent, unspectacular survey of the ukiyo-e art form, with commentary that goes into a little too much detail in arcane areas. Who is the audience for this book? Pairing introductory artwork with beginner-unfriendly text seems like a strange editorial decision. The artwork is nice, but I'd recommend those interested in ukiyo-e either look elsewhere, or supplement their reading with additional books.

★★☆☆☆

#CapsuleReviewArchive #BookReview #Nonfiction #Art #ArtHistory #History #Japan #JapaneseColorPrints #JackRonaldHillier

This review originally appeared on Goodreads on September 18, 2019.

The Man Who Shook the Earth (Doc Savage #12)

By Kenneth Robeson (House Name)/Lester Dent – Street & Smith – 1934

Review by Robin Marx

This installment in the Doc Savage series has a lot in common with previous volumes Quest of the Spider and The Czar of Fear. All of these stories deal with a disguised criminal mastermind trying to muscle out the competition and take over a specific industry. The previous two books involved lumber and mining, while this one involves nitrate production.

I groaned a bit when I saw the direction this story was taking, but the end result was more interesting than those previous two stories. Rather than taking place in the US, this story involved both New York and Chile, and—even when lightly sketched and reliant on broad stereotypes—Doc Savage's globe-trotting adventures tend to be the most fun.

The villain was also more intriguing this time, as his interest in nitrate production was about more than just personal enrichment. The reader is kept guessing as to the villain's true identity up until the very end, as well, instead of being obvious from their first appearance.

Despite the somewhat formulaic approach, this ended up one of the more interesting installments in the series.

★★★☆☆

#CapsuleReviewArchive #BookReview #PulpFiction #TheManWhoShookTheEarth #DocSavage #KennethRobeson #LesterDent

This review originally appeared on Goodreads on July 5, 2021.

Blood of Elves

By Andrzej Sapkowski, Danusia Stok (Translator) – Hachette Book Group – May 1, 2009

Review by Robin Marx

The first of the Witcher novels, it was released after two volumes of short stories and is set after the most recently published book, Season of Storms (although there is some debate on when is the best time to read Season of Storms). So this is actually the fourth Witcher book I've read.

Although Geralt's fateful encounter with Ciri—an orphaned princess and a Source of powerful magic—is covered in a previous short story, this novel covers her early education. She spends roughly the first half of the book with Geralt, being instructed in the ways of the witcher, and the latter half with Yennefer, receiving magic tutelage. Along the way she learns some more about the world and its delicate political state, with the northern kingdoms trying to fend off the inexorable advance of the expansionist empire of Nilfgaard.

This book is tricky to rate. Like a lot of modern fantasy novels (in which a trilogy is assumed, at the bare minimum), this first book is all about preparing the board and setting up the game pieces. As a self-contained story, it fails miserably. There's not much of a plot, just prelude.

That being said, it was still a thoroughly engaging read, provided that the reader is familiar with the original short stories. The translation is smooth and draws zero attention to itself. The setting is immersive and the characters are great. It is such a pleasure spending time with Geralt, Triss, Ciri, Dandelion, and Yennefer. The interaction between these characters is always amusing, and it's masterful how much of their personalities are revealed through seemingly throwaway lines of dialogue and slight gestures.

Geralt himself is a particularly fun and surprising character. If you hear him described, he sounds like a one-dimensional edgy Mary Sue (and also kind of an Elric ripoff, with all the “White Wolf” stuff). But he's not really like that at all. Despite the two swords and the badass mutant monster hunter trappings, he's kind of a blue collar hero. He tackles monster problems like a plumber unclogging drains. His clients are happy to have him around, but they don't particularly respect him or his vocation. He keeps up a tough, world-weary front, but much like the old hardboiled detectives he reveals a softer, more noble side through his actions.

This book doesn't work very well as a novel, but it was an entertaining read that made me excited about the rest of the series.

★★★★☆

#CapsuleReviewArchive #BookReview #Fantasy #AndrzejSapkowski #BloodOfElves #TheWitcher