This review originally appeared on Goodreads on February 9, 2015.

The Story of the Stone

By Barry Hughart – Spectra – October 1, 1989

Review by Robin Marx

It was great to read more about Master Li and Number Ten Ox's exploits, but I can't help feeling like it didn't quite live up to its predecessor.

While Bridge of Birds is more of a traditional fantasy adventure, The Story of the Stone ends up more like a murder mystery. While investigating an apparent forgery, the protagonists come upon the scene of a killing, along with hints that the killer may be the Laughing Prince, a long since deceased despot.

The premise is interesting, but the story that follows has even more meanderings, red herrings, and side treks that Bridge of Birds. The adventures described are always entertaining—the heroes' visit to a number of the Chinese hells stands out in particular—but with so much misdirection and dead ends I found myself losing the plot at times. It turns out there's a reason for all this, revealed (in true mystery novel fashion) as a climactic twist.

Master Li and Number Ten Ox continue to entertain, but Master Li's idiosyncrasies in particular seemed somewhat muted in this novel compared to the first one. Perhaps it was due to the spotlight time given to newly-introduced characters Moonboy and Grief-of-Dawn.

The Story of the Stone didn't wow me as much as Bridge of Birds, but then again very few books do. This is still an interesting novel and very much worth a read.

★★★★☆

#CapsuleReviewArchive #BookReview #Fantasy #HistoricalFantasy #Mystery #HistoricalMystery #BarryHughart #TheStoryOfTheStone #TheChroniclesOfMasterLiAndNumberTenOx

This review originally appeared on Goodreads on November 9, 2014.

Marvel 1602

By Neil Gaiman (Writer), Andy Kubert (Artist), Richard Isanove (Artist) – Marvel Universe – February 9, 2010

Review by Robin Marx

Written by Neil Gaiman, this interesting miniseries introduces a world where familiar Marvel characters (Doctor Strange, Nick Fury, several X-Men) are reimagined and placed in a historical setting.

The plot itself was mostly standard fare—time-travel has led to a disruption that threatens to destroy the universe—but it was very interesting to see the Elizabethan depictions of the characters. Part of this was the fun of catching the various references to modern day characters—some more subtle than others—but much of the appeal was seeing how the various characters were interpreted. Nicholas Fury as Queen Elizabeth's spymaster and the monastic X-men worked particularly well, but the Peter Parker and Bruce Banner equivalents (at least in this series; it looks like they're brought back in the spin-offs) seemed like they were mostly around for the “hey, it's that guy!” factor.

All-in-all, this was a fresh take on the Marvel Universe, and I look forward to reading the 1602 spin-offs.

★★★☆☆

#CapsuleReviewArchive #ComicReview #HistoricalFantasy #Superheroes #MarvelComics #Marvel1602 #NeilGaiman

This review originally appeared on Goodreads on October 9, 2013.

Witch of the Four Winds / When the Idols Walked

By John Jakes – Open Road Media – July 31, 2012

Review by Robin Marx

This ebook volume collects the third and fourth Brak the Barbarian novels as well as two subsequent short stories. I enjoyed the first volume well enough, but this one left me pleasantly surprised. The novels here are much stronger than those in the previous book.

Witch of the Four Winds was the highlight of this volume. The premise is pretty standard; Brak must stop an evil sorceress from using her magic to destroy a beleaguered kingdom. But the great thing about the story is how lean it is. There is nothing extraneous here. Every character has an important role to play in the story, and no plot threads are left dangling. Everything comes together in the end to form a neat and tidy package.

The fourth novel, When the Idols Walked, was interesting, but not quite as strong as the third. The antagonists' motives are less clear than in other stories, and apart from a perceived debt of honor, Brak doesn't have much reason to stick around and become involved in a war that doesn't involve him. Still, the use of bound souls to control inanimate objects is an interesting one and leads to a pretty spectacular finale.

The novels are followed by “Brak in Chains.” While it wasn't quite as action-packed as the novels, the premise was an interesting one. Taken as a slave and blamed for heresy in a drought-cursed land, Brak is ordered to make it rain within two days or be executed. Like Witch of the Four Winds, the plot he uncovers is a clever one, and there's very little wasted verbiage or exposition.

Unfortunately the concluding story, “The Mirror of Wizardry,” is the dog of the collection. While it had a neat monster appearing it (piranha-like stones), the rest of the story is rather unremarkable and the characterization thin. It's a shame the book ended like this. To the best of my knowledge, this is the last Brak story, and with John Jakes' considerable age and the fact that his historical novels are so much more commercially successful, it doesn't look like Brak will ever get a worthy send-off.

While it didn't affect my opinion of the stories either way, one thing I noticed was how chaste the stories are. There's a pretty significant amount of gore (people reduced to “red slime” by falling rocks, enemies getting stabbed in the eyes, etc.), but zero sensuality. Every story has a beautiful girl appearing in it (or two: a companion/damsel and a femme fatale), but unlike Conan, Brak doesn't get any action at all. The evil girls tempt him but are ultimately rejected, and the good girls are either already romantically involved with other characters or lamely rejected by Brak by the story's conclusion. Brak has to be the most celibate literary barbarian I've come across.

While nowhere near as innovative and indispensable as the Conan, Elric, Kane, or Fafhrd & The Gray Mouser stories, the Brak stories are still worthwhile reads for fans of sword & sorcery. If you're new to the subgenre, however, I'd recommend you stick to the classics.

★★★☆☆

#CapsuleReviewArchive #BookReview #SwordAndSorcery #Fantasy #JohnJakes #BrakTheBarbarian #WitchOfTheFourWinds #WhenTheIdolsWalked

This review originally appeared on Goodreads on November 15, 2012.

The Punisher, Vol. 2: Kitchen Irish

By Garth Ennis (Writer), Leandro Fernandez (Artist) – Marvel Enterprises – December 31, 2005

Review by Robin Marx

Garth Ennis's dark and gritty run on The Punisher continues with a story involving warring Irish gangs in the Hell's Kitchen neighborhood of Manhattan (hence the “Kitchen Irish” label). The Punisher becomes involved when a bomb intended to wipe out an enemy gang detonates prematurely, killing or injuring a dozen citizens. Looking to avenge those casualties, he comes into contact with an old ally from MI-6 and a British soldier, both searching for Irish terrorists involved in the bombing.

While the plot itself works, it wasn't quite as strong as that of the previous volume. There were many more characters than the previous storyline, too, meaning that some of them weren't as fleshed out as they could have been. My biggest complaint about the story is the distinct lack of Frank Castle. He gets minimal time in the spotlight, and it's the antagonists that do the most work advancing the storyline.

Leandro Fernandez's artwork gets the job done, but I missed Lewis LaRosa's moody, shadow-drenched work from the last storyline.

Minor gripes aside, I'm enjoying the Punisher MAX series and plan to track down further volumes.

★★★☆☆

#CapsuleReviewArchive #ComicReview #CrimeFiction #MarvelComics #ThePunisher #ThePunisherMAX #GarthEnnis

This review originally appeared on Goodreads on June 22, 2015.

The Imago Sequence and Other Stories

By Laird Barron – Night Shade Books – July 1, 2007

Review by Robin Marx

This anthology collects more unsettling weird tales by Laird Barron. The overall quality is high, but a couple of the stories suffer from being too obscure (“Procession of the Black Sloth,” which has a great atmosphere otherwise) or a little slight plot-wise (“The Royal Zoo is Closed”). “Old Virginia,” “Parallax,” and the title story are particularly strong and creepy. I continue to enjoy Laird Barron's brand of thoroughly modern Lovecraftian fiction that doesn't rely on Lovecraft's monsters.

★★★★☆

#CapsuleReviewArchive #BookReview #Horror #CosmicHorror #LairdBarron #TheImagoSequence

This review originally appeared on Goodreads on May 29, 2012.

Meg: Origins

By Steve Alten – Gere Donovan Press – August 16, 2011

Review by Robin Marx

Many people would characterize the Meg series as a guilty pleasure. I think it's silly to get apologetic about one's choice in entertainment, but I'd certainly admit that Alten's books are goofy. The subject matter (giant prehistoric sharks!) is so appealing, however, that I have no trouble ignoring the creaky bits and enjoying the ride.

I've always liked sharks, and Alten focuses on one of the most interesting of all: Carcharodon megalodon, ancestor to the great white shark. Through some REALLY flimsy science and frantic “ignore the man behind the curtain” hand-waving Alten brings the megalodon up from the Mariana Trench to where it can snack on people for four books, with a fifth on the way.

Meg: Origins is an e-book prequel novella to his first story, Meg: A Novel of Deep Terror. The events in this prequel are referred to a number of times throughout the series, making this prequel fairly redundant and unnecessary. Still, I was lured in by the premise (giant prehistoric sharks!) and the $0.99 price tag. The story had all the familiar issues—stilted prose, paper-thin characters, chunks of scientific exposition that still manages to seem hinky—but as with the other books, the giant prehistoric shark action makes up for the weak spots. Did I mention this book has giant prehistoric sharks(!) in it?

Steve Alten is not an especially technically skilled author, but he is a very enthusiastic one. It's easy to imagine him at his computer thinking “Oh man, wouldn't it be cool if THIS happened?!” and then tapping away frantically. The 12-year-old inside me agrees: yes, it would be totally cool. Radical, in fact.

I doubt I'll pick up his non-Meg stories, but as long as he keeps writing more books about giant prehistoric sharks(!), he's got a customer in me.

★★★☆☆

#CapsuleReviewArchive #BookReview #Adventure #Horror #MegOrigins #TheMeg #SteveAlten

This review originally appeared on Goodreads on February 5, 2013.

Guardian of the Dawn

By William King – Self-Published – August 1, 2011

Review by Robin Marx

This atmospheric fantasy short introduces Kormak, a disreputable-looking stranger belonging to a semi-mythical order of monster hunters. Wounded and caught out on the night of the full moon, when hostile creatures roam, he takes shelter at an isolated house. Realizing his true identity, the house's residents use his code of honor to coerce him into defending them against one particularly menacing creature.

The premise is appealing, and while Kormak himself is only vaguely sketched out as a character, he seems interesting. I also liked the setting hinted at in the story, with a sort of uneasy detente between the human realm and the bestial “children of the moon” roaming just outside the borders. However, I was disappointed when the story name-checked elves, dwarves, and orcs. Those Tolkienian races are completely played out, and their seemingly automatic inclusion marred an otherwise original sword & sorcery setting. The ending was also a bit of let-down. I respect the author for taking a daring chance with the narrative, but I can't help feeling that it effectively invalidated much of the preceding excitement.

Still, this was a good read overall. While I wasn't quite moved to run out and buy the other Kormak books, this story put King on my radar, and I'll keep an eye out for his stories in the future.

★★★☆☆

#CapsuleReviewArchive #BookReview #SwordAndSorcery #Fantasy #WilliamKing #GuardianOfTheDawn #TheKormakSaga

This review originally appeared on Goodreads on November 14, 2012.

The Punisher, Vol. 1: In the Beginning

By Garth Ennis (Writer), Lewis LaRosa (Artist) – Marvel Enterprises – January 1, 2006

Review by Robin Marx

I've been a Punisher fan since I was a kid, but I wasn't reading much in the way of mainstream comics when the MAX series was being published. I'm glad I got around to checking MAX out, however, as it (or at least this volume) is the purest Punisher I've ever read.

Although he was introduced in an issue of the Amazing Spider-Man, the Punisher has always occupied a sort of uneasy place in mainstream comics. After losing his family to the Mafia, Vietnam vet Frank Castle takes up his guns and decides to wage a one-man war on crime. It's a similar premise to DC's Batman, but there's always been more of an edge to the Punisher. Unlike most incarnations of the Bat, he has no particular compunction about killing, and he usually works closer to the street, squatting in warehouses and funding his war with money scavenged from dead drug dealers rather than living the billionaire playboy lifestyle. The Punisher was a Marvel comic, however, so Castle was invariably drawn into tedious, goofy conflicts with super heroes and villains, and censorship (both imposed and self-) kept the series from becoming too dark and violent.

Here, under Marvel's adult-oriented MAX imprint, Garth Ennis succeeds in portraying the Punisher in a way only coyly hinted at in previous comics. Frank Castle is a singularity of hate, a broken machine driven to kill mobsters and thugs. He has no friends, no social life, no secret identity, no James Bond gadgets. There are no costumed heroes and villains. He's trapped in an ugly, brutal never-ending war, with his own violent death as the only possible conclusion.

This volume centers upon a reunion with Microchip, a computer hacker and Castle's one-time ally. In earlier comics, Microchip used to act sort of like James Bond's Q, providing a variety of plausibility-stretching tools for the Punisher. In this story, however, Micro is clearly alienated from his former friend, pushed away by Castle's relentlessness and borderline psychosis. In his interactions with Castle he repeatedly attempts to analyze the reasons for why Castle acts as he does, attempting to push him into a more socially-acceptable path, hunting terrorists for the CIA rather than snuffing Mafia enforcers and pimps. This sounds exciting. It sounds healthier. But Ennis takes the story in the direction truest to the character. Castle vehemently rejects the attempt to put him on a leash, and denies Micro's pat psychoanalysis; Frank Castle is a machine powered by smoldering rage, he's not yearning to break free from a dysfunctional feedback loop.

Some reviewers dislike the explicit language and the graphic violence in the MAX series, but I felt it was appropriate. It's true that these elements were minimized in previous Punisher series. However, that always rang false with me, just as his encounters with other residents of the Marvel Universe seemed unconvincing. It's a comic about an ugly, hate-filled character in an ugly, hate-filled world. Why try to sanitize it?

This was an excellent start to the series. I look forward to subsequent volumes.

★★★★☆

#CapsuleReviewArchive #ComicReview #CrimeFiction #MarvelComics #ThePunisher #ThePunisherMAX #GarthEnnis

This review originally appeared on Goodreads on May 3, 2012.

Armageddon 2419 A.D.

By Philip Francis Nowlan – Amazing Stories – August 1928

Review by Robin Marx

Published in a 1928 issue of Amazing Stories, this novel is both a fun pulp adventure and the origin of the Buck Rogers character of comic strip and radio serial fame.

The premise is simple but intriguing. World War I veteran and scientist Anthony Rogers (he doesn't gain the “Buck” nickname until the comic adaptation) finds himself caught in a mine cave-in and immersed in radioactive gas. He awakes to find himself nearly 500 years in the future, where after a devastating second World War Mongolians have taken over the world, with Americans reduced to a semi-tribal existence hiding in forest camps. Although there's a tinge of the Yellow Peril themes prevalent of the time, the Mongolians aren't painted in too racist a light. They're decadent and soft, unlike the hard-living Americans, but they're also clever and technologically advanced. Given the period the book was written in, I was surprised by the egalitarian role of women in the story as well. Wilma Deering plays a strong, active role, working and fighting alongside the men.

The writing itself is workmanlike. There are some bits of info-dump style exposition, and none of the characters are very complex, but the action is engaging and the pace brisk. The technology presented in the story (anti-gravity belts, rocket pistols, levitating airships, etc.) is fun and exciting, even today. The main theme, of an outsider leading a group of underdogs to victory against technologically-advanced enemies, is pretty well-worn territory, but it may have been fresher at the time. It was interesting how Rogers serves as sort of a reversed example of A Connecticut Yankee in King Arthur's Court: he's from a primitive past, but his knowledge of WWI tactics—lore lost over the centuries—ends up playing an important role in the story's battles.

While this book didn't quite enthrall me as much as Edgar Rice Burrough's A Princess of Mars, a thematically similar pulp yarn, I enjoyed this look at Buck Rogers's origins. I look forward to reading the sequel, The Airlords of Han.

★★★☆☆

#CapsuleReviewArchive #BookReview #ScienceFiction #SwordAndPlanet #Armageddon2419AD #BuckRogers #PhilipFrancisNowlan

This review originally appeared on Goodreads on September 13, 2012.

Cadaver in Chief

By Steve Hockensmith – Self-Published – July 31, 2012

Review by Robin Marx

This novella is by the author of a prequel and sequel to Pride and Prejudice and Zombies (but not that book itself, interestingly). While Cadaver in Chief continues to deal with zombies, this time the undead menace are blended with a satire of election year politics.

The story was brief but engaging, with many interesting implications. Retiring reporter Jan Woods comes across a blog post claiming that the President of the United States was attacked and killed by a zombie while on the campaign trail, and that the whole affair has been covered up by the government. Despite the unreliable source of the claims, she decides to investigate further, with hazardous results.

The setting was especially fascinating. While most zombie apocalypse stories take place after the sudden collapse of society, Cadaver in Chief depicts an invasion in progress, with an America that is slowly crumbling. Citizens are trying to cope: everyone is constantly armed and new social rules have cropped up. Those who damage a zombie (or “nasty”) are responsible for finishing it off, and pedestrians greet each other loudly to avoid being shot by wary neighbors. Gallows humor is everywhere. It'd be nice to see this setting revisited by the author. It could easily serve as the stage for a serious horror novel if some of the comedic elements were toned down.

Somewhat depressingly, I actually found the fictional Beltway pundits' diatribes to be less tone-deaf and absurd than the real-life political discourse going on in the US right now. Truth is stranger—and dumber—than fiction in this case.

Elements of comedy and horror are generally tricky to balance, but I think Hockensmith succeeded in walking that tightrope. The end result is a fast-paced story that spices its humor with some genuinely creepy moments. It's very important that a comedy story not outstay its welcome, but I wouldn't have minded spending more time exploring this world.

★★★★☆

#CapsuleReviewArchive #BookReview #Horror #Humor #CadaverInChief #SteveHockensmith