This review originally appeared on Goodreads on November 6, 2012.

The Collected Fiction, Vol. 2: The House on the Borderland and Other Works

By William Hope Hodgson – Night Shade Books – October 10, 2002

Review by Robin Marx

This second volume in Night Shade Books' excellent Collected Fiction of William Hope Hodgson contains The House on the Borderland, all of the “Carnacki, the Ghost Finder” tales, and some miscellaneous short stories. While the book begins on a very strong note, it loses steam towards the end

While I prefer The Night Land and The Boats of the 'Glen Carrig', The House on the Borderland is an incredibly atmospheric work of weird horror. It chronicles the bizarre events experienced by a so-called “Recluse” living in an isolated home in Ireland. While there doesn't seem to be much rhyme or reason behind the supernatural incidents he experiences, they remain engrossing and filled with tension. Hodgson must have had a fear of pigs, as the “swine-things” that terrorize the Recluse are very effectively (and disturbingly!) rendered.

The “Carnacki, the Ghost Finder” stories are a much more conventional form of horror, but still fascinating. They take the form of what the Encyclopedia of Science Fiction editor John Clute calls a “club story.” Basically Carnacki, an Edwardian gentlemen, invites his (probably tweedy and pipe-smoking) friends over to his house to tell them of his encounters with ghosts and psychic phenomena. All of the stories share this framing device, but it didn't become monotonous.

The Carnacki stories were an interesting mix of traditional ghost stories with something closer to the type of otherworldly horror that Lovecraft would later popularize. While they're referred to as “ghosts”, these hauntings tend towards psychic phantasms and poltergeists more than conventional apparitions. Hodgson's terrifying swine make another welcome appearance in the delightfully creepy story “The Hog.” I liked that Hodgson mixed a few hoax stories in with the “authentic” haunts. Another reviewer said those stories had “Scooby Doo endings,” but I think that's a little too dismissive. The fakes were just as interesting as the supernatural stories

Unfortunately, the last portion of the book is fairly weak. The remaining stories don't have any particular theme to tie them together, and even the tales of the sea—Hodgson's specialty—included here are pretty unexceptional. The stories included in the first collected volume were all pretty great, perhaps some of those should have been reserved for this second book.

Weak conclusion aside, this book is still worthy of a place on weird fiction fans' bookshelves. Hopefully Night Shade Books will continue to champion overlooked classics like this.

★★★★☆

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This review originally appeared on Goodreads on July 4, 2012.

Delta Green: Denied to the Enemy

By Dennis Detwiller – Armitage House – March 1, 2004

Review by Robin Marx

This was an interesting book, but it has some issues. As a game tie-in it's not very friendly to newcomers, the main plot isn't as exciting as an early subplot, and it over-promises for such a slender volume. That being said, I enjoyed what Detwiller tried to accomplish, and both the beginning and ending were quite strong.

This book is for established fans only. This book is billed as “A Cthulhu Mythos Novel of World War II,” and familiarity with the work of H.P. Lovecraft (particularly his Mythos stories “Facts Concerning the Late Arthur Jermyn and His Family” and “The Shadow Out of Time”) are effectively required to comprehend this story. Some knowledge of the Delta Green campaign setting for the Lovecraft-inspired Call of Cthulhu roleplaying game is also advisable if you want to get the most enjoyment out of the story.

After a cryptic prologue about an aged military officer contemplating suicide, the story gets very interesting, very quick. We're introduced to a member of the Ahnenerbe, a (historical) Nazi organization dedicated to occult study. It soon becomes clear that he's been left disaffected and not a little mentally unstable by his studies, and that he's just biding his time until he can defect to the Allies and throw a monkey wrench in the Axis's literal scorched earth strategy. The narrative takes him to a coastal town in occupied France, where he becomes an unwilling bystander to the Ahnenerbe's efforts to broker an alliance with the Deep Ones, mutant fish-men introduced in Lovecraft's “The Shadow Over Innsmouth.” The close encounters with the Deep Ones are very creepy and obliquely written, Detwiller does an excellent job portraying the characters' sanity leach away through close proximity with the unknowable. Here we had unhinged (yet sympathetic) people committing atrocities to curry favor with disturbing allies; this was the peak of the book for me, it's a shame it came so early.

Unfortunately, the Deep Ones section of the book comes to an abrupt end as the books' true protagonists arrive on the scene: Delta Green, a subdivision of the OSS tasked to deal with supernatural threats. The story to follow is still fun—particularly if you enjoy Delta Green—but after such an atmospheric build-up it felt like a vaguely disappointing bait-and-switch. The story's true antagonists are somewhat undefined, and the primary plot twist towards the end seemed poorly foreshadowed, with baffling motivations.

In the end, the story ends up being a Call of Cthulhu story set during World War II, rather than a “Cthulhu Mythos novel of World War II”. There are two slight distinctions here. One is that readers hoping for an grand reveal of the occult side of World War II will be disappointed; this book is nowhere near that epic in scope. The second distinction is that—perhaps unsurprisingly, given the origins of the Delta Green property—Denied to the Enemy leans more towards the Call of Cthulhu roleplaying game's interpretation of the Cthulhu Mythos than Lovecraft. I counted about five different creature types appearing over the course of the story, while most literary Mythos authors tend to limit themselves to one or two. While monster-spotting is sort of fun for RPG fans, some of the cameos were a little gratuitous, like attempts at fan service. (Don't have the Tcho-Tchos show up if you're not going to do anything with them!)

If you're already a Delta Green fan, by all means give this book a shot. But if you're not, this book won't turn you into one.

★★★☆☆

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This review originally appeared on Goodreads on August 28, 2012.

The Collected Fiction, Vol. 1: The Boats of the “Glen Carrig” and Other Nautical Adventures

By William Hope Hodgson – Night Shade Books – August 1, 2005

Review by Robin Marx

While I missed out on the gorgeous Night Shade Books print volumes, the e-book edition is a worthy substitute for those unwilling to pay the high secondhand market prices.

This first volume includes the novel The Boats of the 'Glen Carrig', followed by a host of short stories broken into the following thematically-related sections: the Sargasso Sea Stories, the Exploits of Captain Gault, the Adventures of Captain Jat, and the Stories of Cargunka.

The Boats of the 'Glen Carrig' is a rather gripping survival horror story that follows the crew of a pair of lifeboats, sailors adrift after the sinking of the titular 'Glen Carrig.' Hodgson wastes no time getting into the action; the shipwreck itself is covered in basically a single perfunctory paragraph, and events start getting strange and deadly very quickly.

The Boats of the 'Glen Carrig' is similar to his other novels, The House on the Borderland and The Night Land, in that they're basically a linear narrative following the protagonist through a number of bizarre episodes. They read more like travelogues than carefully plotted novels, but the events are interesting enough that this isn't much of a complaint.

The story is written in an intentionally archaic style, with no quoted dialogue and few named characters, but it's fast-paced and packed with engrossing imagery. Stylistically it's a much more approachable read than The Night Land, which—while challenging—I also enjoyed considerably.

The Sargasso Sea stories share a very similar tone with The Boats of the 'Glen Carrig'. From the “Tideless Sea Part 1” and “Tideless Sea Part 2: More News from the Homebird” are genuinely chilling. They're desolate and unnerving, like the very best of Hodgson's work. Unfortunately, the rest of the Sargasso Sea stories aren't quite as stellar, with Hodgson recycling basically the same core premise (a ship encounters a strangely-fortified derelict craft enmeshed in Sargasso weeds, and terror ensues).

While vastly different in tone from his supernatural fiction, the Captain Gault stories were an unexpected highlight in this volume. Captain Gault is a smuggler, and these humorous tales are all “howdunit” mysteries about him sneaking contraband past customs. Read consecutively (rather than periodically encountered in anthology magazines as they would have been originally), the formula they follow becomes a little apparent, but they're clever, punchy, and offer enough diversity to keep the reader engaged.

The Adventures of Captain Jat were intriguing, if perhaps not fully realized. There are only two stories in the cycle—perhaps a poor reception led to Hodgson abandoning the character—but both are interesting. Jat is an alcoholic, abusive sea captain with a taste for women and treasure, and the exquisitely named Pibby Tawles is his put-upon cabin boy and the only companion he trusts on his gold-seeking adventures. Though almost entirely unlikeable, Hodgson adds an interesting twist to the character of Jat by showing him act gruffly tender towards his young accomplice at surprising moments. Pibby, too, isn't simply a victim. He's equipped with a fair amount of sneaky cunning, often profiting at his master's expense. The dynamic between the characters is interesting and the stories themselves are fun supernaturally-tinged adventure. It reminds me a bit of Indiana Jones, if Indy was a boozer that beat on Short Round. It's unfortunate Hodgson didn't write any more stories featuring these two.

The two Stories of Cargunka are probably the weakest in the volume. D.C.O. Cargunka is a wealthy pub-owner that purchases ships and accompanies them on profit-seeking expeditions. While self-aggrandizing romanticist Cargunka himself is a fun character, the stories seemed overlong and plots weren't quite as appealing as the Gault or Jat stories. “The Bells of the Laughing Sally” has some nice ghostly moments, but except for some humorous dialogue, “The Adventure With the Claim Jumpers” is a mostly forgettable heist yarn.

While there are a few limp stories (inevitable in a collection of this size), Hodgson nevertheless maintained an incredibly high standard of quality throughout his brief but prolific career. I maintain that he's one of the more underrated figures in early 20th century horror fiction, and this collection also reveals how adept he was in other genres as well. Wholeheartedly recommended.

★★★★★

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This review originally appeared on Goodreads on March 6, 2019.

The Conspiracy Against the Human Race

By Thomas Ligotti – Hippocampus Press – September 1, 2011

Review by Robin Marx

In the words of John Lydon, “Ever feel like you've been cheated?” Horror writer Thomas Ligotti certainly does.

In this essay, Ligotti passionately argues that sentient life is “MALIGNANTLY USELESS” (emphasis his). Among the animal kingdom we are in a unique position to comprehend our suffering and mortality, but rather than join hands and together voluntarily march into extinction, we are self-deluding prisoners and simultaneously jailers who punish those who call attention to the grimness of existence. We're all inmates, but an extra helping of woe to those who point out the bars.

Much of the text draws heavily from the work of Norwegian philosopher Peter Wessel Zapffe, who also argued that humanity's over-developed awareness of the human condition was a source of suffering and existential angst. Rather than succumb to despair, humans cope by excluding negativity from their thoughts, seeking distraction, anchoring themselves in something larger (e.g., a family, a religion, a nation), or channeling their feelings into creative outlets. The defining trait of humanity is consciousness and self-awareness, but that comprehension leads to despair and attempts to become less aware (and therefore less human).

Ligotti illustrates Zapffe's premise with numerous examples from life and art (the cosmic horror of H. P. Lovecraft is given special attention), all the while raging about the absurdity and cruelty of it all. This book shares a similar topic and conclusions (non-existence is less harmful than our current state, and voluntary human extinction is worthy of consideration) with Better Never to Have Been: The Harm of Coming into Existence, but the vehemence with which Ligotti argues his points sets the two books apart.

This is a passionate book about a bleak topic. The readers drawn to it likely already agree with the conclusions, and those who uncomfortably dismiss it out of hand can likely be shown to be relying on Zapffe's coping mechanisms.

★★★★☆

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This review originally appeared on Goodreads on August 27, 2019.

The Book of Cthulhu

Edited by Ross E. Lockhart – Night Shade Books – September 1, 2011

Review by Robin Marx

This is an uncommonly strong anthology of recent(ish) Cthulhu Mythos stories. Anthologies of this nature often fall prey to Lovecraft pastiche, but for the most part the stories here offer fresh and imaginative takes on the source material and span a wide variety of time periods.

While the average quality is high, a number of stories stand out in particular. Although I had read it before, “A Colder War” by Charles Stross remains a masterful melding of Cold War paranoia with the Mythos. “The Men from Porlock” by Laird Barron and “The Crawling Sky” by Joe R. Lansdale are particularly creepy and effective tales of rural folk encountering the otherworldly. “Fat Face” by Michael Shea offers a fun update of a classic Lovecraftian creature.

Lovecraft has attracted a great deal of negative attention in recent years for his vehement racism, to the extent that some argue that he should be excluded from the horror/science fiction canon. I think that would be a terrible shame, however, as a number of writers have combined Lovecraftian inspiration with more palatable views on race. “Shoggoths in Bloom” by Elizabeth Bear and “Jeroboam Henley’s Debt” by Charles Saunders are both very Lovecraftian stories that benefit greatly by centering race and starring black protagonists. Outside of this anthology, a number of other recent stories and novels have worked with a Lovecraftian foundation while dealing with race-related issues to good effect.

Overall, this is an easy book to recommend to Lovecraft fans curious about recent Mythos-related fiction.

★★★★☆

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This review originally appeared on Goodreads on November 6, 2013.

The Beautiful Thing That Awaits Us All

By Laird Barron – Night Shade Books – April 2, 2013

Review by Robin Marx

The best stories in this collection could be labeled “rustic horror.” Many of them take place in the Pacific Northwest, in the deepest forests and shadowy valleys. The protagonists are often rough and tumble men who are nevertheless set on edge by a variety of creepy occurrences. Imagine Jack London writing spooky stories and you'd be on the right track.

While the rustic horror stories are great, the ones set in more modern and more urban locales were much less engaging. These stories tended to be longer and also more obscure (probably with the intent of creating a phantasmagorical atmosphere), which made matters worse.

One thing I found interesting was the use of Old Scratch himself, the Devil, as the prime supernatural threat in many of the tales. While this might seem cliched to some, I actually found it delightfully retro, reminding me of the “Satanic Panic” stories from the 70s and 80s. There's some Lovecraft homage in here too, but more an appreciative acknowledgement than slavish devotion.

While I didn't love every story in this volume, I came away with a strong interest in Laird Barron's work. Recommended for horror fans, especially those who enjoy the classics of the genre and rural settings.

★★★☆☆

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This review originally appeared on Goodreads on February 6, 2019.

The Burrowers Beneath

By Brian Lumley – Grafton Books – January 1, 1974

Review by Robin Marx

This was a fun but not earthshaking (oh-ho-ho) addition to the Cthulhu Mythos.

The book has a lot of fun ideas. The subterranean squid-like Chthonian creatures themselves are great. The Wilmarth Foundation, a secret organization of like-minded individuals working against the Mythos, is also an interesting addition to the canon. The execution of the book is a bit less than ideal, however.

The book is structured as an epistolary novel, composed of both letters and diary entries from a variety of characters. Some of the letters are very atmospheric and engrossing. The stories about about a mine inspector who encounters extraterrene eggs and a coastal rig that strikes more than oil stand out in particular. The result is a bit uneven, with mostly self-contained vignettes that are actually more entertaining than the primary narrative. And although he's positioned as the protagonist, Titus Crow is a passive figure for much of the book, either being directed by or receiving exposition from helpful supporting characters that seek him out.

While apparently set in the modern day (the early 1970s, when the book was published), Lumley's obvious affection for Lovecraft and old-fashioned gentleman's club occult detective yarns leads to a story that seems strangely untethered in time. Lumley's master occultist character Titus Crow seems like he'd be more at home in one of William Hope Hodgson's Edwardian Carnacki, The Ghost-Finder stories and Crow's Watson-style sidekick Henri-Laurent de Marigny also seems like a similar throwback to an earlier era. It felt a bit off reading about these smoking jacket / brandy snifter types discussing atomic testing.

There are some creepy moments as the Chthonians' capabilities are gradually revealed, but they don't get as much time in the spotlight as I would have liked. For ageless, godlike beings they turn out to be pushovers once the humans in the story figure out what's going on and get their act together. Apart from one fascinating scene detailing an attack on a massive captive Chthonian, the expulsion of the Chthonians from the British Isles is mostly glossed over. The book's conclusion feels like “Yeah, we lost some guys along the way but things mostly went according to plan.”

It's also interesting to note that the Chthonians only start acting directly against humans when their eggs are stolen or tampered with. They don't seem like much of a menace to humanity otherwise, apart from worshipping unappealing alien gods. In this aspect they brought to mind the misunderstood Horta from the original Star Trek episode “The Devil in the Dark.”

Some readers describe Lumley's Cthulhu Mythos output as Lovecraft fanfic. While that feels a bit uncharitable, it's not wrong, either. Lumley also borrows heavily from August Derleth's reinterpretation of the Mythos, where human beings have a certain level of Elder God support in the war against the “evil” Great Old Ones. Star-Signs of Mnar are wielded like crucifixes in the face of “CCDs” (Cthulhu Cycle Deities). While this sort of thing can be fun—I personally believe the Cthulhu Mythos is a sort of “big tent” that can accommodate everything from The Dunwich Horror to Bride of Re-Animator—readers hoping for actual cosmic horror are likely to be disappointed.

I enjoyed this book, but Lovecraft purists are better off reading something closer to the original source.

★★★☆☆

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This review originally appeared on Goodreads on June 22, 2015.

The Imago Sequence and Other Stories

By Laird Barron – Night Shade Books – July 1, 2007

Review by Robin Marx

This anthology collects more unsettling weird tales by Laird Barron. The overall quality is high, but a couple of the stories suffer from being too obscure (“Procession of the Black Sloth,” which has a great atmosphere otherwise) or a little slight plot-wise (“The Royal Zoo is Closed”). “Old Virginia,” “Parallax,” and the title story are particularly strong and creepy. I continue to enjoy Laird Barron's brand of thoroughly modern Lovecraftian fiction that doesn't rely on Lovecraft's monsters.

★★★★☆

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This review originally appeared on Goodreads on June 7, 2011.

The Boats of the 'Glen Carrig'

By William Hope Hodgson – Chapman and Hall – 1907

Review by Robin Marx

This is a rather gripping survival horror story that follows the crew of a pair of lifeboats, sailors adrift after the sinking of the titular 'Glen Carrig.' Hodgson wastes no time getting into the action; the shipwreck itself is covered in basically a single perfunctory paragraph, and events start getting strange and deadly very quickly.

The Boats of the 'Glen Carrig' is similar to his other novels, The House on the Borderland and The Night Land, in that they're basically a linear narrative following the protagonist through a number of bizarre episodes. They read more like travelogues than carefully plotted novels, but the events are interesting enough that this isn't much of a complaint.

The story is written in an intentionally archaic style, with no quoted dialogue and few named characters, but it's fast-paced and packed with engrossing imagery. Stylistically it's a much more approachable read than The Night Land, which—while challenging—I also enjoyed considerably.

Hodgson delivers a thoroughly entertaining and imaginative story. I've enjoyed everything I've read by him thus far, and it's become clear that he's one of the more underrated figures in early 20th century horror fiction. I recommend The Boats of the 'Glen Carrig' wholeheartedly.

★★★★☆

#CapsuleReviewArchive #BookReview #Horror #CosmicHorror #NauticalFiction #TheBoatsOfTheGlenCarrig #WilliamHopeHodgson

This review originally appeared on Goodreads on September 5, 2019.

The Ballad of Black Tom

By Victor LaValle – Tordotcom – February 16, 2016

Review by Robin Marx

This novella is a companion piece to H. P. Lovecraft's “The Horror at Red Hook.” While the original story focused on a New York detective named Malone and his investigation of the rich, aging occultist Robert Suydam, this book introduces a new character named Charles Thomas Tester to the mix. “The Horror at Red Hook” is one of the more racist Lovecraft stories—full of “swarthy” types of various ethnicities up to no good—and Victor LaValle counters this by centering the African American perspective. The result is sort of an inversion of the original tale, elevating racism as one of the multiple horrors in the story and turning the original protagonist into one of the villains.

The writing was generally fine, but the story was a bit sleight. “The Horror at Red Hook” isn't particularly interesting as Lovecraftian source material, so it's a little baffling why it was chosen as a story. The above-average racism is basically the only element recommending it for use in a progressive reaction to Lovecraft. And while Cthulhu doesn't play a role in “The Horror at Red Hook,” he's been shoe-horned in here. His inclusion seems more like fan-service, or something especially blatant to clue in those unfamiliar with Lovecraft's work of the connection. It just seemed a little extraneous to me.

“The Ballad of Black Tom” interweaves interestingly with “The Horror at Red Hook,” providing a more intimate view of events elided in the original story, but it's also lacks subtlety in places. The racist abuse faced by Charles Tester is horrific, but it also felt that the story lacked the page count to handle his descent into villainy in a realistic manner. I see it singled out for praise in other reviews, but the “Every time I was around them, they acted like I was a monster. So I said goddamnit, I’ll be the worst monster you ever saw!” line is so cheesy and on-the-nose.

Overall I liked this story and thought the confrontation of racism in Lovecraft's work was interesting, but I can't help feel there was a missed opportunity. By all means, confront retrograde elements in Lovecraft's work, but “The Horror at Red Hook” is one of the lesser works in the canon. Deconstructions tend to work best when they target a great piece of art, not one that even die-hard Lovecraft fans are lukewarm on.

★★★☆☆

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