This review originally appeared on Goodreads on October 9, 2013.

Witch of the Four Winds / When the Idols Walked

By John Jakes – Open Road Media – July 31, 2012

Review by Robin Marx

This ebook volume collects the third and fourth Brak the Barbarian novels as well as two subsequent short stories. I enjoyed the first volume well enough, but this one left me pleasantly surprised. The novels here are much stronger than those in the previous book.

Witch of the Four Winds was the highlight of this volume. The premise is pretty standard; Brak must stop an evil sorceress from using her magic to destroy a beleaguered kingdom. But the great thing about the story is how lean it is. There is nothing extraneous here. Every character has an important role to play in the story, and no plot threads are left dangling. Everything comes together in the end to form a neat and tidy package.

The fourth novel, When the Idols Walked, was interesting, but not quite as strong as the third. The antagonists' motives are less clear than in other stories, and apart from a perceived debt of honor, Brak doesn't have much reason to stick around and become involved in a war that doesn't involve him. Still, the use of bound souls to control inanimate objects is an interesting one and leads to a pretty spectacular finale.

The novels are followed by “Brak in Chains.” While it wasn't quite as action-packed as the novels, the premise was an interesting one. Taken as a slave and blamed for heresy in a drought-cursed land, Brak is ordered to make it rain within two days or be executed. Like Witch of the Four Winds, the plot he uncovers is a clever one, and there's very little wasted verbiage or exposition.

Unfortunately the concluding story, “The Mirror of Wizardry,” is the dog of the collection. While it had a neat monster appearing it (piranha-like stones), the rest of the story is rather unremarkable and the characterization thin. It's a shame the book ended like this. To the best of my knowledge, this is the last Brak story, and with John Jakes' considerable age and the fact that his historical novels are so much more commercially successful, it doesn't look like Brak will ever get a worthy send-off.

While it didn't affect my opinion of the stories either way, one thing I noticed was how chaste the stories are. There's a pretty significant amount of gore (people reduced to “red slime” by falling rocks, enemies getting stabbed in the eyes, etc.), but zero sensuality. Every story has a beautiful girl appearing in it (or two: a companion/damsel and a femme fatale), but unlike Conan, Brak doesn't get any action at all. The evil girls tempt him but are ultimately rejected, and the good girls are either already romantically involved with other characters or lamely rejected by Brak by the story's conclusion. Brak has to be the most celibate literary barbarian I've come across.

While nowhere near as innovative and indispensable as the Conan, Elric, Kane, or Fafhrd & The Gray Mouser stories, the Brak stories are still worthwhile reads for fans of sword & sorcery. If you're new to the subgenre, however, I'd recommend you stick to the classics.

★★★☆☆

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This review originally appeared on Goodreads on February 5, 2013.

Guardian of the Dawn

By William King – Self-Published – August 1, 2011

Review by Robin Marx

This atmospheric fantasy short introduces Kormak, a disreputable-looking stranger belonging to a semi-mythical order of monster hunters. Wounded and caught out on the night of the full moon, when hostile creatures roam, he takes shelter at an isolated house. Realizing his true identity, the house's residents use his code of honor to coerce him into defending them against one particularly menacing creature.

The premise is appealing, and while Kormak himself is only vaguely sketched out as a character, he seems interesting. I also liked the setting hinted at in the story, with a sort of uneasy detente between the human realm and the bestial “children of the moon” roaming just outside the borders. However, I was disappointed when the story name-checked elves, dwarves, and orcs. Those Tolkienian races are completely played out, and their seemingly automatic inclusion marred an otherwise original sword & sorcery setting. The ending was also a bit of let-down. I respect the author for taking a daring chance with the narrative, but I can't help feeling that it effectively invalidated much of the preceding excitement.

Still, this was a good read overall. While I wasn't quite moved to run out and buy the other Kormak books, this story put King on my radar, and I'll keep an eye out for his stories in the future.

★★★☆☆

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This review originally appeared on Goodreads on December 17, 2012.

Sleepless, Burning Life

By Mike Allen – Mythic Delirium Books – June 23, 2012

Review by Robin Marx

Created for a lesbian steampunk anthology, this novella has an exciting premise, but the execution doesn't quite manage to do it justice. The plot involves a young woman, Jyshiu, sacrificing her life to rescue a goddess imprisoned in the afterlife. Driven by love, her quest leads her up the spinning, whirring clockwork tower underpinning the universe.

The Moorcockian setting and goddess/mortal romance are intriguing, but the novella falls down at the very end. The ambiguous “choose your own ending” climax is too clever for its own good. It appears the author's aim was to keep the reader wanting more, but rather than concluding with a pleasant tantalizing feeling I was left deflated and disappointed. The story could've been fleshed out more, too. As it stands, Jyshiu's journey doesn't seem like the ordeal it should be, it needed more trials and tribulations along the way.

This was an interesting read, but ultimately an unsatisfying one. I'd like to see the story reworked into a novel, fleshed out and given an appropriate resolution.

★★★☆☆

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This review originally appeared on Goodreads on February 6, 2013.

The Viscount and the Witch

By Michael J. Sullivan – Ridan Publishing – October 8, 2011

Review by Robin Marx

I wasn't familiar with this author or his Riyria Chronicles series, but this short story has motivated me to investigate further. The title story itself is a bit sleight and ends abruptly, but the characters (well-meaning soldier Hadrian and his cynical thief comrade Royce) and their interactions were appealing. Fans of Fritz Leiber's Fafhrd and the Gray Mouser stories may notice a similar vibe.

The sample Riyria Chronicles book chapters included in the e-book have also piqued my interest. I've added the first book to my shopping list, and I look forward to seeing if Sullivan's plots live up to his characters.

★★★★☆

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This review originally appeared on Goodreads on June 21, 2012.

Travellers' Rest

By James Enge – Pyr – December 3, 2010

Review by Robin Marx

This sword & sorcery story plays out almost like a spaghetti western, with the moody wizard-swordsman Morlock Ambrosius and his dwarfish companion happening on a tiny hamlet with a dark secret. Both the characters and story remind me a great deal of Michael Moorcock's Elric stories, sharing driven, melancholy characters, a tense atmosphere, and weird events. This free Kindle novella was released by James Enge's publisher Pyr to introduce readers to his Morlock Ambrosius series, and it certainly succeeded in capturing my interest.

★★★★☆

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This review originally appeared on Goodreads on June 21, 2012.

The Book of Taltos

By Steven Brust – Ace – January 8, 2002

Review by Robin Marx

This omnibus collects the fourth and fifth volumes in Steven Brust's Dragaera series, Taltos and Phoenix. I read the first three books collected as The Book of Jhereg about five years ago, and while I remembered a bit about the world Brust presents, those stories had completely faded from my memory. I expect the same will happen with these two installments as well. The world of Dragaera is interesting and appealing, but other aspects of the books aren't quite as strong.

Although published fourth, Taltos is chronologically the first story in the series. It introduces Vlad Taltos, a human assassin operating in the Dragaeran Empire. In an interesting twist, the tall, magically-adept Dragaerans (nicknamed “elfs” by the humans) are the dominant species in Brust's world, with humans (called “Easterners” by the Dragaerans) generally relegated to the fringes of society. This book covers Taltos' youth, with a parallel plot-line involving a quest into the Dragaeran land of the dead. The story provides a good deal of insight into the character of Taltos, as well as describing how he gained some of the powerful allies that feature so heavily in the other stories.

The other book in the omnibus, Phoenix, was the more troubled of the pair. In this story, Taltos is called upon by a goddess to assassinate the king of a minor nation. Just why this is necessary is never satisfactorily revealed, although there's some hinting about portents, etc. There's another thread dealing with the human liberation group Taltos's wife belongs to and it's struggle with the Dragaeran Empire, but this plot seemed fairly muddled as well. The ending was much better than the rest of the book, however; Taltos and the final pages of Phoenix are good enough to earn three stars, rather than the two I would've awarded otherwise.

I'm starting to thing Brust may not be the author for me. I find the world of Dragaera interesting and I'm fond of fantasy crime stories (Lankhmar, etc.), but the plots in this volume were a little weak. The Vlad Taltos character is well realized, but the (unnecessarily numerous) supporting characters basically seem to have one shtick. There's Sneaky Guy, Thief Girl, Uptight Swordsman, etc. Whenever Sneaky Guy appears, he's being sneaky, that's it, there's no further development. Uptight Swordsman is Uptight, and Long Cat is Long.

Vlad Taltos's “voice” (the books are written in first person) also rubs me the wrong way. He relates the story in a very casual, modern tone. He talks like every Joss Whedon character, basically. (It didn't surprise me at all to find out that Brust has written a full-length Firefly fan-fic novel.) For some readers (who may also be Whedon fans), this is probably not a drawback. However, I can only take Whedon in small doses, and when Brust (speaking through the character of Vlad Taltos) is describing life and death struggles and the fate of nations in a Whedonesque flippant, detached manner, I find I can't muster up much emotional involvement in the story. If the narrator isn't taking things seriously, why should I?

I own one more Dragaera omnibus, collecting the next two volumes in the series. I'll read Athyra and Orca before deciding whether to keep going or to abandon the series entirely.

★★★☆☆

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This review originally appeared on Goodreads on June 11, 2022.

The Sad Tale of the Brothers Grossbart

By Jesse Bullington – Orbit – October 27, 2009

Review by Robin Marx

Natural Born Killers in the 14th century. Grand Theft Wagon. This grimdark picaresque romp through the Holy Roman Empire and points beyond follows two grave-robbing brothers on a grandiose journey to loot the tombs of Egypt.

Hegel and Manfried, the titular Brothers Grossbart, are not good people. They rob from the dead and have zero compunctions about creating new corpses. Shortly after being introduced to them, we see the pair murder a family of farmers with no real provocation. This inciting event plants the seeds for future strife experienced by the brothers as well as marking the start of their medieval international crime spree. Along the way they encounter witches, demons, and brigands every bit as cruel and vicious as themselves.

The brothers are churlish, thuggish, and ignorant. They’re hot-tempered, violent, arbitrary, and petty. They’re also pious in an idiosyncratic way: they’re reverently horny for the Virgin Mary, but they don’t think much of her son. Like most villains, they view themselves as the heroes of their narrative, and despite their repellant natures, they make compelling protagonists.

The Grossbarts are perfectly at home in the medieval Europe portrayed in the book. The people they encounter tend to be every bit as treacherous and untrustworthy as themselves. The supporting cast is vicious, diseased, demented, avaricious, and/or occasionally literally in league with the devil.

This book isn’t for everyone. People who require likable protagonists and happy endings should stay away. The book is full of graphic violence and drenched in various bodily fluids. Children are casually murdered. Blasphemy is present and accounted for. But for those who can enjoy grim and dark tales, this book is exhilarating and slyly humorous.

The dialogue was the highlight of the book for me. The brothers speak in a crass and blunt dialect that never ceases to entertain. Their interactions with other characters pleasantly reminded me of Jack Vance’s Cugel the Clever stories, albeit with Cugel’s highfaluting bloviating replaced with hammer-blunt gutter slang.

My only real complaint with the book is that the pacing lags in some sections. The brothers’ sojourn in Venice seems to go on longer than necessary, and there’s an ocean journey that feels a little slow. That being said, a lot of territory (geographically and spiritually) is covered over the course of the book, and it was sufficiently gripping that I finished the final third of the book in a single sitting.

As I said, this book isn’t for everyone, but I found it a lot of fun. If you have an affinity for grimdark, this is an entertaining and wryly funny read.

★★★★☆

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This review originally appeared on Goodreads on August 14, 2012.

Wrath of the White Tigress: A Tale of Pawan Kor

By David Alastair Hayden – Typing Cat Press – June 25, 2011

Review by Robin Marx

Billed as a modern sword & sorcery tale in the tradition of Moorcock and Gemmel, this book starts with a compelling premise: an assassin tasked with killing a high priestess manages to shake off decades of mystical brainwashing. Working with Zyrella, the high priestess, he turns against the evil emperor Salahn and attempts to destroy the regime he once helped build.

I enjoyed the book, but it had a few issues. The beginning and conclusion were quite strong, but the middle part seemed to lose focus and meander a bit. I liked the main trio of characters, Jaska, Zyrella, and Ohzi, but the middle third of the book rapidly introduces a number of new faces that failed to leave much of an impression. As a result there are a couple cases of dramatic self-sacrifice that fell flat. I didn't really need the archer twins with their vague prophecy or the desert tribesmen, they were all fairly interchangeable and I would've rather spent more time with the main characters.

The prose was solid, but not particularly ostentatious. Not much time was spent on world-building, but the setting seemed interesting and a pleasant change from pseudo-Europe. The magic presented was interesting, but perhaps a little under-developed (the star-based magic was especially vague). The fast pace and action reminded me a bit of my favorite sword & sorcery stories, but the frequent divine intervention and good versus evil plot are well-trodden epic fantasy tropes and appealed less.

Hayden is a newer author, and I suspect my issues with the book are related to that. It was a fun read, though. I own another Hayden book besides this one and I plan to keep an eye out for future releases as well.

★★★☆☆

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This review originally appeared on Goodreads on October 22, 2012.

Thieves' World: First Blood

Edited by Robert Lynn Asprin and Lynn Abbey (Editor) – Tor Books – December 1, 2003

Review by Robin Marx

The volume collects the first two Thieves' World anthologies, Thieves' World and Tales from the Vulgar Unicorn. While it was great finally having a chance to read these (previously long out of print) stories, I don't think many of them lived up to the great premise.

The Thieves' World I expected was quite similar to what was described in the Making of Thieves' World essay included in the book: a massive slum various sword & sorcery heroes call home, their adventures tangentially intersecting and their paths crossing. While there are some stories that deliver—those stories tend to be the highlights—there are surprisingly few actual thief protagonists, and far too much high fantasy mucking about with competing gods. Fritz Leiber is cited as an influence, but Thieves' World's city of Sanctuary is nowhere near as lush, decadent, and dangerous as Lankhmar, and few of the adventures found here have the same kind of personal stakes and gritty, street-level action of the Fafhrd and the Gray Mouser tales. The Making of Thieves describes a teeming hive of corruption that could play home to Conan, Elric, Karl Edward Wagner's Kane, etc., but then it has too many stories about humans acting directly as pawns for interventionist, physically manifested gods. This felt like a bait and switch to me. For something called “Thieves' World” there were surprisingly few heists; perhaps “Prophet's World” would have been a more appropriate title.

Perhaps it can be said that Thieves' World shows the fantasy genre in transition. It was released in 1979, when pure sword & sorcery was on the decline and Tolkien-inspired high fantasy (as embodied by Terry Brooks's The Sword of Shannara, released in 1977) was becoming increasingly commercially successful. I suspect that's the reason for the tension between the few gritty street-level tales and the more high flying epic stories. This is interesting from a genre history perspective, but not really what I was looking for. I don't think I'll go out of my way to seek out the sequel anthologies, as it appears that the competing pantheon aspect of the stories only grows more prevalent.

As a final note, the Kindle edition of this book is probably the most poorly formatted commercial e-book I've seen to date. There are numerous cases of OCR errors (spelling errors are particularly obnoxious in jargon-prone fantasy), several instances of strangely hyphenated words, and even a few snippets of missing text. While I didn't factor this into my rating, I expect better from a major publisher like Macmillan/TOR.

★★☆☆☆

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This review originally appeared on Goodreads on August 25, 2016.

Gloriana

By Michael Moorcock – Allison & Busby – April 1, 1978

Review by Robin Marx

This is an incredibly lush story about an idealized England. Albion has emerged from tyranny and into a Golden Age, brought about by its perfect queen, the titular Gloriana. As with most empires, there's corruption behind the scenes, however: the queen's advisor, Montfalcon, breaks quite a few eggs making the omelets necessary to keep Albion running while protecting her from his scheming. A careless mistake leads to hurt feelings and a growing sense of enmity that threatens to topple the whole kingdom.

The novel is tightly-plotted and evocative. Everything ties together and the twists and turns keep the reader guessing until the satisfying end. Even more than the plot, the richly described world is the main draw for this book, however. Moorcock crafts a world that I enjoyed visiting immensely. And although there are a few allusions to his Eternal Champion series, this novel stands alone, serving as an approachable introduction to his work. Highly recommended.

★★★★☆

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