This review originally appeared on Goodreads on October 21, 2021.

The Corpse-Rat King

By Lee Battersby – Angry Robot – August 28, 2012

Review by Robin Marx

Marius dos Hellespont is a con man and a “corpse-rat,” a scoundrel who makes a living looting the dead bodies on a battlefield. A twist of fate leads him to be mistaken for a fallen king by the restless dead, who drag him to their subterranean realm to rule over them. When he reveals himself as both 1.) still living, and 2.) not a king, they return him to the surface charged with finding a replacement king. Or else.

While probably most aptly categorized in the “grimdark” subgenre of fantasy, this is a very humorous picaresque romp, with the cynicism of Jack Vance if not the verbosity. Clever cons and reversals of fortune abound. Some reviewers found this book lacking in substance, but I found the fast pace and breeziness a welcome change of pace.

This story works just fine as a stand-alone novel, but when I noticed a sequel was available I picked it up right away.

★★★★☆

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This review originally appeared on Goodreads on February 23, 2019.

Valen the Outcast Vol. 2: Death Eternal

By Michael Alan Nelson (Writer) & Matteo Scalera (Artist) – BOOM! Studios – December 11, 2012

Review by Robin Marx

I wasn’t expecting this series to end so quickly, but the end result was satisfying. The story had a fast pace throughout and plenty of action.

★★★★☆

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This review originally appeared on Goodreads on February 23, 2019.

Valen the Outcast Vol. 1: Abomination

By Michael Alan Nelson (Writer) & Matteo Scalera (Artist) – BOOM! Studios – December 1, 2011

Review by Robin Marx

While marketed as sword & sorcery, so far this comic feels a bit closer to the grimdark sub-genre a la Joe Abercrombie (with a bit of early Berserk) rather than Robert E. Howard’s Conan.

Category quibbling aside, this series is off to a good start. The premise is simple but effective: an undead king named Valen shakes off a necromancer’s control and seeks revenge. He’s joined in this task by two slightly unreliable companions: a witch/swordswoman named Zjanna and drunkard rogue Cordovan.

The story moves at a brisk pace with no wasted verbiage or lengthy info dumps, and the world building is of the “show, don’t tell” variety. I look forward to reading future volumes and would recommend it to fans of dark fantasy.

★★★★☆

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This review originally appeared on Goodreads on January 20, 2022.

John the Balladeer

By Manly Wade Wellman – Baen Books – July, 1988

Review by Robin Marx

John roams the mountains of Appalachia carrying little more than his silver-stringed guitar and a rucksack with some provisions. Motivated by curiosity, he seeks out folklore and new songs to add to his repertoire. Along the way he encounters simple folk in need, sinister magicians, and supernatural horrors. John lives by his wits, the magic-defeating silver of his guitar strings, and his knowledge of folklore and biblical lore.

There’s a wandering outsider hero, black magic, and otherworldly menaces. These stories aren’t precisely sword & sorcery, but if you like that sort of thing, you’ll like THIS sort of thing.

★★★★☆

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This review originally appeared on Goodreads on April 20, 2014.

Rat Queens, Vol. 1: Sass & Sorcery

By Kurtis J. Wiebe (Writer) & Roc Upchurch (Artist) – Image Comics – March 26, 2014

Review by Robin Marx

I picked this up after reading a Tor.com review, and I'm glad I did, as this is probably the most entertaining fantasy comic I've read in quite some time.

Rat Queens chronicles the misadventures of four mercenary women. Their party matches a fairly standard D&D party composition: dwarf fighter, elf mage, human cleric, and “smidgen” (hobbit/halfling) thief, but each character has a twist. The dwarf fighter rebelled against her clan by shaving off her beard, for example, and the cleric is likewise an outcast, an atheist having turned her back on the squid-worshiping cult that trained her. Their setting is likewise familiar to role playing gamers, basically a carousing spot and base of operations for adventurers, where the mayor hands out quests and the captain of the guard is constantly having to mediate disputes between (frequently drunk) mercenaries and the local townsfolk.

Volume 1 serves mostly to introduce the characters and set up a conspiracy that looks to drive the plot for at least the next story arc or so, so it might feel a little slight to some, but I found it to be a fun, fast read. Sensitive readers might be put off by the gore and profanity, but in most cases both are used to humorous effect. In addition to the humor, I also liked how diverse the cast of characters was. People of various colors and shapes and orientations show up without it coming off as ostentatious pandering to the folks concerned by the common lack of representation of social minorities in the media.

I prefer reading comics in collected format rather than as single issues, but this is one series that tempts me to switch. I look forward to the Rat Queens' future adventures.

★★★★☆

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This review originally appeared on Goodreads on September 4, 2014.

The Toughest Mile

By William Meikle – January 1, 2011

Review by Robin Marx

This old school sword & sorcery tale is about a gladiator attempting to escape a life of servitude to a cruel but alluring witch queen. Having defeated 100 beasts in the arena, Garn is now allowed to leave, provided he can survive a ten mile run through a tunnel linking the arena to the city's outskirts. Not only does he have to make this run immediately after his final battle (you'd think a break and a drink of water would be warranted), he has to avoid death at the hands of the Witch's pursuers. The story that follows is simple and mostly a series of brief combat encounters while on the run. There aren't many surprises here, but as an S&S short story it works and the idea is interesting.

However, one thing that left a bad taste in my mouth was that all of Garn's opponents were women, who are treated in a somewhat problematic manner. It took me a moment to notice at first, because they're described as “bitches” sitting at the Witch's feet (Garn also expresses a desire to “cut off their tails” and present them to the Witch), so the first image that came to mind was of a pack of hounds. I imagine the author's intent was to conjure images of a cadre of Amazon-style women warriors, but Garn is so dismissive of them—constantly calling them “bitches” and scalping them to collect their identical braids (the a fore-mentioned “tails”)—that the story comes off slightly ugly, like a brutal guy carving up a string of inferior women rather than a rousing adventure tale. I'm willing to give the author the benefit of the doubt and assume the semi-misogynist undertones were unintentional, but other readers might not be as charitable.

★★★☆☆

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This review originally appeared on Goodreads on July 5, 2021.

Blood of Elves

By Andrzej Sapkowski, Danusia Stok (Translator) – Hachette Book Group – May 1, 2009

Review by Robin Marx

The first of the Witcher novels, it was released after two volumes of short stories and is set after the most recently published book, Season of Storms (although there is some debate on when is the best time to read Season of Storms). So this is actually the fourth Witcher book I've read.

Although Geralt's fateful encounter with Ciri—an orphaned princess and a Source of powerful magic—is covered in a previous short story, this novel covers her early education. She spends roughly the first half of the book with Geralt, being instructed in the ways of the witcher, and the latter half with Yennefer, receiving magic tutelage. Along the way she learns some more about the world and its delicate political state, with the northern kingdoms trying to fend off the inexorable advance of the expansionist empire of Nilfgaard.

This book is tricky to rate. Like a lot of modern fantasy novels (in which a trilogy is assumed, at the bare minimum), this first book is all about preparing the board and setting up the game pieces. As a self-contained story, it fails miserably. There's not much of a plot, just prelude.

That being said, it was still a thoroughly engaging read, provided that the reader is familiar with the original short stories. The translation is smooth and draws zero attention to itself. The setting is immersive and the characters are great. It is such a pleasure spending time with Geralt, Triss, Ciri, Dandelion, and Yennefer. The interaction between these characters is always amusing, and it's masterful how much of their personalities are revealed through seemingly throwaway lines of dialogue and slight gestures.

Geralt himself is a particularly fun and surprising character. If you hear him described, he sounds like a one-dimensional edgy Mary Sue (and also kind of an Elric ripoff, with all the “White Wolf” stuff). But he's not really like that at all. Despite the two swords and the badass mutant monster hunter trappings, he's kind of a blue collar hero. He tackles monster problems like a plumber unclogging drains. His clients are happy to have him around, but they don't particularly respect him or his vocation. He keeps up a tough, world-weary front, but much like the old hardboiled detectives he reveals a softer, more noble side through his actions.

This book doesn't work very well as a novel, but it was an entertaining read that made me excited about the rest of the series.

★★★★☆

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This review originally appeared on Goodreads on July 11, 2011.

Solomon Kane Volume 2: Death's Black Riders

By Various – Dark Horse Books – October 19, 2010

Review by Robin Marx

Much like the first, this second volume in Dark Horse's original comic adaptation of Robert E. Howard's Solomon Kane stories was a mixed bag.

The Mario Guevara artwork is strong, and the Mike Mignola cover is eye-catching, but the story side is a little weak. Most of the volume is a much-expanded adaptation of a brief REH story fragment. A comic rendition of “Rattle of Bones” (one of my favorite Solomon Kane stories) is incorporated into the middle of the Death's Black Riders tale, but it felt rushed, making an already concise yarn into a “blink and you'll miss it” affair.

This volume closes with a short called “All the Damned Souls at Sea,” but the ugly caricature-style Guy Davis artwork ruins what could be an otherwise interesting story.

The characterization of Solomon Kane wasn't bad, and his visual portrayal is quite similar to what I envision when reading the original stories, but I would've liked to have seen more of the seething hatred driving Kane in his battle against evil. There are hints of it, which suggests that the writers do understand the character, but I want more.

While I may seem rather critical, this seems like a series still finding its footing, and the comic's crew do more things right than wrong. I look forward to future volumes.

★★★☆☆

#CapsuleReviewArchive #ComicReview #Fantasy #SwordAndSorcery #SolomonKane #TheChroniclesOfSolomonKane

This review originally appeared on Goodreads on June 18, 2012.

The Waters of Eternity

By Howard Andrew Jones – Thomas Dunne Books – November 22, 2011

Review by Robin Marx

This ebook collects most of the Dabir and Asim short stories by Howard Andrew Jones. Being a fan of both sword & sorcery (a genre Jones has made a valiant effort through articles at Black Gate, etc., to revive) and the Arabian Nights, I picked up this volume so as to learn about the characters before moving onto his debut novel, The Desert of Souls.

Dabir and Asim make an interesting pair of sword & sorcery heroes, very different from the genre's other notable duos, Fafhrd and the Gray Mouser and Elric and Moonglum. Dabir is a wise scholar, while expert swordsman Asim acts as the brawn. They're a bit like Holmes and Watson in that respect. Trusted by the caliph, they're called upon by a variety of people in need. In the stories collected, the premise most often involves some supernatural mystery or a threat on an important figure's life.

True to the genre, the stories are fast-paced, with swashbuckling action and strange creatures. The mystery elements are interesting, but Dabir often reaches conclusions with very little evidence, or at least none that's shared with the reader. As a result, these “brilliant deductions” can seem a little contrived. They'd ring a bit more true if Jones took more time placing hints beforehand.

The Arabian Nights atmosphere is a bit low-key, but there's enough flavor to distinguish these stories from standard Western fantasy. It's interesting to note that both Dabir and Asim are good Muslims, so while they encounter a variety of sword & sorcery temptresses, dancing girls, and femme fatales, there's no Conan-style wrenching to be found.

The book concludes with a sizable excerpt from the first Dabir and Asim novel, The Desert of Souls. This seemed superfluous to me, however, as most people likely to pick this book up have either read the novel and want to read Dabir and Asim's previously-published adventures, or those like me, who want to read these stories before moving onto the novel. I'll be buying The Desert of Souls, so I skipped this excerpt entirely.

I look forward to reading more about Dabir and Asim's exploits. While sword & sorcery lends itself well to shorter formats, novel-length might be a better match for Howard's style. Perhaps the extra room will give Howard more time to develop his mystery plots, as well as treat the reader to a bit more Arabian atmosphere.

★★★★☆

#CapsuleReviewArchive #BookReview #SwordAndSorcery #Fantasy #HowardAndrewJones #TheWatersOfEternity #TheChroniclesOfSwordAndSand #DabirAndAsim

This review originally appeared on Goodreads on May 5, 2014.

The Hammer and the Blade

By Paul S. Kemp – Angry Robot – January 1, 2012

Review by Robin Marx

I've been slightly dissatisfied with many of the books I've read this year, but The Hammer and the Blade turned out to be a welcome end to this unfortunate streak. It's a fun sword & sorcery novel from beginning to end.

The prologue introduces us to hammer-wielding priest Egil and his crafty rogue companion Nix, right in the middle of a raid on a pseudo-Egyptian tomb. The story very quickly establishes that they're in it for thrills, cash, and personal glory, rather than any more elevated goals. What do they do with their ill-gotten gains? On a whim they purchase their favorite scummy tavern/brothel. These are my kind of heroes: sword & sorcery scoundrels, not farm boys destined for greatness.

The story that follows is fast-paced and fun, as the heroes are coerced into doing the dirty work of an unpleasant sorcerer hoping to use his own sisters as breeding stock in a pact with demons.

As is often the case in swords & sorcery fiction, female characters were mostly relegated to the sidelines as potential romance interests and victims, but there's a moment late in the book where the heroes get a very visceral taste of the abuse the sisters have suffered at the hands of their brother, causing our leering, wenching heroes to reconsider the way they treat the women in their lives. The inclusion of this sudden change in perspective was a pleasant surprise.

My only complaint was that the pacing lulled in a couple sections. It took a little long for Egil and Nix to become involved in the main plot, and the finale likewise seemed a little drawn-out and lacking in tension compared to their final tomb raiding expedition. Everything else, however, was golden. Egil and Nix are great characters in the tradition of Fritz Leiber's Fafhrd and the Gray Mouser, and I look forward to reading their future adventures.

★★★★☆

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