This review originally appeared on Goodreads on July 13, 2017.

Substance: Inside New Order

By Peter Hook – Dey Street Books – January 31, 2017

Review by Robin Marx

The third book written by ex-Joy Division and New Order bassist Peter “Hooky” Hook, this is also his best. While over 700 pages long, this was a gripping read that was simultaneously both expansive and incredibly detailed.

Joy Division and New Order are bands surrounded by a lot of mystique and mythology, a great deal of it cultivated by the band themselves. They avoided the press and only grudgingly promoted their own albums. I hoped lead singer Bernard Sumner's Chapter and Verse: New Order, Joy Division and Me would shed some more light on the inner working of the band, but I was left disappointed. Much as he did with his previous Joy Division memoir, Hooky stepped up to deliver the nitty gritty details—the Substance, so to speak—that Sumner's book lacked.

Hooky covers the story of the band both on-stage and off-, and he refuses to shy away from painting himself and the others in an unflattering light with tales of their intoxicated revels, property destruction, womanizing, and other rock star antics. There's also a great deal of information provided about the music-making process, the evolution of the equipment used, and set lists for individual gigs.

The core of the book, however, is the deteriorating friendship between Sumner and Hooky. Both were childhood friends and the first members of Joy Division, but it's clear that life in the music industry changed both of them. Hooky has always come off as combative and competitive, and he paints a picture of Sumner as becoming gradually more controlling and diva-like in his interactions with the rest of the band. I suspect that both members are equally to blame for the falling out. Now sober for ten years, Hooky speaks frankly about his damaging addictions to cocaine and alcohol, and it appears that Sumner was equally prone to substance abuse, and perhaps still is. Hooky chalks up the cause of much of his own bad behavior to his struggle with drugs, but seems curiously unwilling to extend the benefit of the doubt to his former best friend.

Regardless of how the blame for Hook's departure from the band should be best assigned, rather than simple hate Hook seems more hurt and wounded by how things have turned out than anything else. New Order fans who read this book might end up learning too much about their favorite band, seeing how fractured the internal dynamics were and how petty the members could be, but even provided by a biased storyteller I found this deeper understanding adds an extra layer of appreciation when listening to New Order's iconic music.

★★★★☆

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This review originally appeared on Goodreads on September 25, 2020.

Record Play Pause

By Stephen Morris – Constable – February 7, 2019

Review by Robin Marx

This book made an interesting contrast to the memoirs by Peter Hook and Bernard Sumner. It was more entertaining than I thought it would be, but a bit lacking in other respects.

As the drummer of Joy Division, Stephen Morris was generally silent and stuck in the back. As a result it was difficult to know what to expect from this book. While not as entertaining a storyteller as Hooky, this memoir has a wry, self-deprecating sense of humor throughout that caught me off guard. While Hooky and Sumner more or less grew up together, Morris was a later addition to the band who joined through Ian Curtis, giving him a slightly different perspective on events. Both Hooky and Sumner’s memoirs are largely about how they related to Ian Curtis and secondly how they related to each other, so insight into Morris himself was also in short supply in the previous books. Hooky portrayed him as semi-autistic and Sumner didn’t mention him much at all. Morris relates his own story in a humorous and engaging fashion.

Morris offers his own perspective on Curtis, humanizing this much mythologized figure of post punk music. He also shares his experiences with manager Rob Gretton, Factory Records co-founder Tony Wilson, and record producer Martin Hannett. The frustrating thing about this book is that Morris’ living band mates remain mostly ciphers. Apart from some amusing anecdotes about drug-fueled pranks, he fails to portray Hooky and Sumner in the same depth as his deceased musical collaborators, and some more detail about the band’s internal dynamic would have been greatly appreciated. Perhaps we’ll get more of that in the soon to be released follow-up volume, covering the New Order era.

★★★★☆

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This review originally appeared on Goodreads on February 27, 2018.

Life on a Mediaeval Barony: A Picture of a Typical Feudal Community in the Thirteenth Century

By William Stearns Davis – Harper & Brothers – 1923

Review by Robin Marx

Although published in 1923, this book is an engaging and eminently readable survey of various aspects of life in medieval France. Davis handles the text like a cinematographer wields his camera, panning over expansive scenery before zooming in closely to various scenes of interest.

While the barony and its inhabitants described are fictional, serving as a sort of amalgamation of typical elements from the time period, numerous footnotes compare and contrast aspects with specific named holdings and personages from history. The result is an entertaining and enlightening presentation of the “gist” of life in this era, rather than a potentially dry summation of events and lineages and so forth.

Highly recommended to both history students and fans of fantasy fiction hoping to learn a bit more about how things were in the real world.

★★★★☆

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This review originally appeared on Goodreads on July 14, 2012.

Wizardry and Wild Romance: A Study of Epic Fantasy

By Michael Moorcock – UNKNO – March 16, 2004

Review by Robin Marx

This is an interesting and erudite overview of epic fantasy by one of the genre's living masters. The breadth of Moorcock's knowledge is impressive, particularly when it comes to pre-Tolkien fantasy and it's roots in gothic literature. It's also incredibly opinionated; there's something in here to irritate any serious fantasy fan. I delighted in his notorious portrayal of Lord of the Rings as safe and bland “Epic Pooh,” but I thought he gave Robert E. Howard short shrift in places, especially since he appeared to be working from one of the inferior products resulting from L. Sprague de Camp and Lin Carter's tampering. For the most part everything is well-argued, however. This is a worthwhile read for serious fantasy fans.

★★★★☆

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This review originally appeared on Goodreads on July 28, 2015.

Chapter and Verse – New Order, Joy Division and Me

By Bernard Sumner – Corgi Books – September 10, 2015

Review by Robin Marx

I read this book in parallel with Peter Hook's Unknown Pleasures: Inside Joy Division, and the two books could not be more different.

Chapter and Verse is appealing in that it covers the history of New Order as well as Joy Division, but it felt like the narrower scope of Unknown Pleasures allowed a much more satisfying level of detail. Hooky really got into the nitty-gritty of Joy Division's history, full of juicy anecdotes. This book was still very interesting, but written in a brisk, breezy style that ended up feeling shallower than Hooky's book.

The portions about Sumner's childhood, the gradual failure of the Hacienda, and his falling out with Peter Hook were the most fleshed-out and, perhaps consequently, the most intriguing parts of the book to me. While Hooky's book was mostly dismissive of Sumner, Sumner seems genuinely hurt and puzzled about the reasons behind the deterioration in their three-decade friendship. Fans hoping for much insight into individual events in the band's history or the story behind many of New Order's most famous songs (apart from the rather dispensable World Cup theme “World in Motion”) are likely to be disappointed. That being said, I felt like I gained some insight into Sumner's life, and that was enough for me.

★★★☆☆

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This review originally appeared on Goodreads on March 12, 2018.

Some Fruits of Solitude

By William Penn – 1682

Review by Robin Marx

Part of the Harvard Classics reading list, like the Journal of John Woolman this is the work of a colonial era Quaker. Apart from founding Pennsylvania, William Penn was a principled and devout theologian and worked to spread religious tolerance in his community. (He was also the original face of the Quaker Oats brand, until they rebranded to a more generic figure later.)

The book itself is a collection of homilies and observations, generally having to do with personal improvement and faith. A lot of them are well trodden ground, but others remain good advice today. That being said, I found it a bit ironic that someone who extols the virtue of humility would write a book that aims to provide moral instruction. To me, that seems to be the epitome of “holier than thou.”

The passages about “servants” also didn't sit very well, as Penn was a slave owner. Those sections made me reflect fondly on fellow Harvard Classics member John Woolman's abolitionist fervor, but perhaps it's unfair to judge Penn by the merits of a Quaker who wasn't born until two years after Penn's death.

Overall this book was an interesting look at the values of Penn's time, but modern readers will find a lot of the advice either obvious, outdated, or too tied to specific aspects of religion.

★★★☆☆

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This review originally appeared on Goodreads on October 6, 2012.

The Pirate's Dilemma: How Youth Culture Is Reinventing Capitalism

By Matt Mason – Free Press – January 8, 2008

Review by Robin Marx

This was a fun read with some interesting points, but taken as a whole Mason's argument is a little facile.

Most of the book consists of examples of (generally youth-oriented) subcultures that developed into major commercial or cultural successes. Mason's examples include punk (focusing on its D.I.Y. ethos as an example of the pirate spirit), hip-hop, early disco, etc. All of these subcultures were created and expanded outside of the mainstream before being absorbed or incorporated (some would say co-opted) by it. Mason argues that existing commercial interests ignore or marginalize these movements at their own peril.

Mason's “pirate's dilemma” extends from this, stating that rather than wasting effort trying to stamp out piracy, companies are better off competing with pirates. (“Pirate's Dilemma” is a bit of a misnomer; pirates experience no such dilemma, it's the entrenched commercial interests that have to adapt) When that happens, society has a whole benefits. Sounds good on the surface.

The problem is that Mason's definition of a “pirate” is incredibly broad. His pirates aren't just those who infringe upon copyright (i.e., how the term is most commonly used today), they're basically anyone who operates outside the established system, or anyone who participates in youth culture. This definition wasn't especially convincing. Mash-up artists and other remix culture participants use existing work to create new material; defining them as “pirates” seems reasonable. However, the early punks described in this book were explicitly about rejecting existing work and building something new. Both mash-up artists and punks are pirates according to Mason, but it seems doubtful that most people would agree with him.

In the end, this is an interesting look about how, as noted in the book's subtitle, youth culture can have a cultural impact and serve as a source of revenue to savvy marketers. It's not, however, a particularly deep or convincing look at piracy. The use of the word piracy acts as a red herring, and deleting the few brief references to copyright infringement would result in a stronger book.

★★☆☆☆

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This review originally appeared on Goodreads on February 10, 2022.

The Book of Yokai: Mysterious Creatures of Japanese Folklore

By Michael Dylan Foster (Writer), Shinonome Kijin (Artist) – University of California Press – January 14, 2015

Review by Robin Marx

Books about yōkai are becoming increasingly popular, even in English, but this is the clearest explanation I’ve encountered about the cultural context surrounding these folkloric monsters in Japan. It’s written in an extremely engaging manner and is a pleasure to read as well.

★★★★☆

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This review originally appeared on Goodreads on November 7, 2016.

The World Without Us

By Alan Weisman – Thomas Dunne Books – July 10, 2007

Review by Robin Marx

This intriguing book attempts to elaborate on the various ways Earth would be impacted if humankind were to suddenly vanish. The results of this thought experiment are a mixed bag, with some of the environmental damage and visible impact caused by humans fading relatively quickly, while other results of humanity's reign (particularly consequences associated with nuclear waste) having repercussions lasting for geological epochs. The end result is a planet that is not necessarily better or worse off for the lack of human habitation, but one very different from its current state.

Given the vast scope of the topic, the book feels necessarily a bit unfocused. Most chapters introduce a general question (“What happens to X without humans around?”), then the story's “lens” progressively zooms in on narrower details within that topic, going from macro scale to micro. Scientists, conservationists, architects, energy industry professionals, and so forth are introduced along the way, providing insight into their fields of expertise. I especially appreciated that alternate views were often provided, adding nuance when one expert's perspective veered too far towards rosy optimism or unvarnished pessimism.

By positing a scenario in which humans are completely absent the author encourages us to reflect upon humanity's current stewardship of the world. We're reminded that monumental structures and other proud feats of engineering may not be as permanent as they seem, while other more subtle byproducts of humanity's influence can have long-reaching, unintended, and permanent consequences.

★★★★☆

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This review originally appeared on Goodreads on September 24, 2012.

Free: The Future of a Radical Price

By Chris Anderson – Grand Central Publishing – June 22, 2009

Review by Robin Marx

“Business books are basically romance novels for men. Silly fantasies, terrible writing, large type, cheap paper and one good idea per book.” – @BenedictEvans @Twitter.com

It's becoming clear that freemium business models cannot be ignored, and this book heralds those models as the way of the future. For digital content in particular, Anderson argues that the march to free is inevitable. While laudably detailed in some respects, this book is disappointingly glib and superficial in others.

Anderson unleashes a veritable deluge of cases in which free services or content can play a role in a successful business, but while he acknowledges some of the concerns held by skeptics, all too often he dismisses them out of hand without effectively rebutting them. Sheryl Crow is concerned about the increasing difficulty of selling music? Pshaw, says Anderson, you'll make it all back on live performances and merchandise sales! I'm not a particular fan of her music, but I'm willing to bet that she has a more functional knowledge of the music industry than a dude from Wired. But maybe she's just a square and not with the hip new digital economy, man.

Another concern is that many of Anderson's success stories have, in more recent years, turned out to be not so successful. He mentions Digg, which was huge for a while before becoming a shell of its former self. Facebook has had trouble providing value for shareholders. (Facebook's inability to provide a return on investment for advertisers is actually called out in the text, but subsequently glossed over.) Freemium game giant Zynga is seeing huge drops in profit. He cites Radiohead's pay-what-you-want album In Rainbows as a great success, but doesn't mentioned the fact that Radiohead abandoned this model after about three months in favor of CD sales and standard iTunes distribution. If pay-what-you-want was such an unalloyed success, why didn't the band stick with it?

The whole book is written with a wide-eyed, breathless tone that immediately puts this reader on his guard. Free is the way of the future, man, and if you don't get it you're a fossil. (Ignore the burned out husks of countless companies that were unable to turn a profit with freemium.)

Despite what this book says, I think the jury is still out on freemium. There's been a huge die-off of freemium gaming companies over the last year or so, and other companies are struggling. I suspect we're in the middle of another, more low-key, dotcom bubble. In the end, freemium will probably resume its place as just one tool of many, rather than become some dominating trend.

★★☆☆☆

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