This review originally appeared on Goodreads on August 17, 2016.
The Door to Saturn
By Clark Ashton Smith – Night Shade Books – June 1, 2007
Review by Robin Marx
[The Door to Saturn]
Part of CAS' Hyperborean cycle, “The Door to Saturn” has an interesting premise. A party of inquisitors storm the wizard Eibon's tower, hoping to bring him to justice for heresy. Eibon has a contingency plan, however, and a magic panel presented to him from his otherworldly patron Zhothaqquah to escape to Cykranosh (Saturn). The chief inquisitor Morghi discovers the trick and follows Eibon. They discover that the planet isn't especially hospital to human life, and they put aside their differences in an effort to survive their incomprehensible new environment. While more event- and locale-driven than plot-driven, the pair have an amusing adventure that reads very much like the kind of tale that Jack Vance would later write.
[The Red World of Polaris]
This story is a straight science fiction tale, with a ship of explorers pulled down to the surface of a planet orbiting Polaris after drifting too close. They encounter aliens who have replaced their bodies with mechanical shells, and their hosts are homicidally offended when the humans rebuff their offer for a similar “upgrade.” While a lot happens in this story, apart from some vivid description there isn't much of interest here. Like “The Door to Saturn,” it's another story about characters trapped in a strange land, but it lacks the humor and whimsy of the previous tale.
[Told in the Desert]
This story returns to one of Clark Ashton Smith's favorite themes: loss. A desert wanderer tells his camp-mates about his chance discovery of an isolated oasis and the charming young woman he romanced there. A callow individual, he takes his simple lifestyle and devoted paramour for granted and leaves the oasis. He realizes his mistake too late, and wanders the deserts searching in vain for the oasis. There aren't any big surprises in this story, but it's a simple fable well told.
[The Willow Landscape]
While the previous story had an Arabian setting, this one takes place in ancient China. It involves an art collecting courtier who has fallen on hard times. He supports himself and his much younger brother by selling off pieces of his collection, until he eventually has to part with his absolute favorite piece, a wall scroll depicting a idyllic glen with a rustic hut, and arched bridge, and a small figure of a beautiful woman. The new owner—a fat man who, refreshingly, is not depicted as greedy or cruel—graciously allows the impoverished courtier one last night with the painting. He is rewarded for his love and devotion over the years by a mysterious voice who welcomes him into the world of the scroll, where he lives happily ever after with the maiden in the painting. As an art lover, I enjoyed this story a great deal. It seemed a bit like a reversal of Pygmalion, both feature protagonists who are rewarded for their devotion to a work of art, but instead of Galatea becoming flesh and joining Pygmalion as his wife, the courtier (whose “heart is native here but alien to all the world beside”) is absorbed into the art. This is a beautiful, charming story.
[A Rendezvous in Averoigne]
This story is a classic, but probably more for the prose than the plot. It's a nice vampire story, but there's not much in the way of dramatic tension. The protagonist finds himself in a creepy, atmospheric situation, but it's resolved pretty smoothly, all things considered. Everything goes according to plan with the vampire-slaying, and I can't help but think the story would be stronger if there had been more obstacles or setbacks along the way. Still, the story is beautifully told.
[The Gorgon]
This story about the caretaker of Medusa's head could easily have been written by Lovecraft or Clive Barker. There aren't any major twists or reveals, but it has a nice creepy tone.
[An Offering to the Moon]
This story didn't work too well for me. The core premise, of an archaeologist basically going native and attacking a colleague while investigating an ancient sacrificial site, had promise, but the framing could have been better.
[The Kiss of Zoraida]
I tend to like CAS' Arabian Nights-style stories, and while straightforward this is an effectively-written story of a jealous husband's revenge.
[The Face by the River]
Not particularly notable or memorable.
[The Ghoul]
Another Arabian Nights tale, this one is clever take on the theme of an average person burdened with a horrible task by a monster. Darkly poignant.
[The Tale of Sir John Maundeville]
This story about a valiant knight starts off in an exciting and atmospheric manner, but the ending is absurdly anti-climactic. A literal conqueror worm king imprisons the knight for trespassing into the kingdom of the dead and...wordlessly, peacefully releases him after a reasonable period of incarceration. I would have liked to read Robert E. Howard's take on this premise, he would've given it a much worthier ending for sure.
[An Adventure in Futurity]
While involving time instead of space travel, the second half of this story is almost a retelling of “The Red World of Polaris,” with an advanced society being overthrown by a slave uprising combined with biological warfare. I found it hard to summon up much sympathy for the future humans, given that they kept slaves in the first place. This story also felt entirely too long compared to “Polaris.”
[The Justice of the Elephant]
While set in India, this story has a similar flavor to the Arabian Nights-style. This story makes an interesting pair with “The Kiss of Zoraida,” as it's the lover who gets revenge on the murderous cuckolded husband. That he makes use of the very same “weapon” used to kill the executed wife adds a nice symmetry.
[The Return of the Sorcerer]
This story, with a secretary hired to assist a reclusive and harried-looking occultist, starts off quite a bit like “The Devotee of Evil” from Volume 1. Fortunately, it takes a wildly divergent path after the initial setup is established and culminates in a grisly ending that Edgar Allan Poe would have greatly appreciated.
[The City of the Singing Flame]
This tale inspires more questions than it answers. It's framed as an “abandoned diary” from a vanished colleague so it's easy to guess the narrator's fate, but the mysterious otherworld is described in an extremely compelling manner.
[A Good Embalmer]
It's easy to predict where this story is headed after the opening paragraphs, but this story stands out as one of the more obviously humorous of CAS' tales.
[The Testament of Athammaus]
An executioner deals with a monstrous criminal that refuses to stay dead. This story has an interesting premise and some creepy exposition, but otherwise doesn't stand out too much.
[The Amazing Planet]
This is an unusually action-packed story for CAS. Mistaken for animals, a pair of space explorers are captured by aliens and put on display at a zoo. Unable to communicate through any means but violence, the pair escape their cage and kill waves and waves of aliens until they're recaptured and shot back into space in the direction of the initial planet. The story has an interesting, desperate premise, but the execution doesn't quite live up to it.
[The Letter from Mohaun Los]
I'd grown a bit tired of time travel stories by the time this one appeared, but this one had an interesting twist. The universe is always in motion, so if you travel far enough forward or backward in time you can't count on remaining in the same spot. As a result, the protagonist ends up traveling not just through time, but into outer space and even to other planets. He and his stereotypical Chinese servant encounter a variety of strange societies, make an alien friend, and end up settling in the far future. One repeating theme in CAS' fiction seems to be that you can't go home again. When protagonists journey to strange lands, they usually stay there permanently, either voluntarily or otherwise.
[The Hunters from Beyond]
While more than a bit reminiscent of Lovecraft's “Pickman's Model” (something CAS readily admitted himself), this is a fun, creepy story to end off the volume with. After glimpsing an otherworldly monster, a struggling writer of weird fiction visits a sculptor cousin who regularly summons these creatures and uses them as inspiration for his art. The resulting plot doesn't have much in the way of surprises, but it's evocatively told.
★★★★☆
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